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WHAT’S LEFT OF US

A MEMOIR OF ADDICTION

Not for everyone—probably best savored by addiction counselors and people in recovery.

Grim, unpleasant memoir of a junkie in a depressed New England city.

Filmmaker and journalist Farrell (co-author: A Criminal and an Irishmen: The Inside Story of the Mob-IRA Connection, 2006) writes unsparingly of the lowest point in his life, a week of state-imposed rehab as a result of a failed attempt to overdose on his drug of choice, heroin. In an afterword, the author notes that he wrote this book in response to James Frey’s A Million Little Pieces (“it is a damn shame Frey had the balls to lie about something that important to all of us in recovery”). In contrast to Frey’s exaggerated self-portrait as a tough guy who could finally stare down a shot of booze, Farrell says that his vastly less glamorous story is more faithful to the truth about recovery—and it’s not pretty. Acknowledging the unreliability of memory and admitting to some legally and ethically necessary name and fact changes, Farrell describes his method as trying to recover truth as though it were happening in front of him. The story is told in present tense—Lowell, Mass., in the late ’80s. Born with a form of cerebral palsy, he was brutally molded into a high-school football star by his Notre Dame–crazy father, but a knee injury, he says, got him addicted to painkillers and then heroin. Farrell paints a decidedly unflattering self-portrait. He was a liar, thief, bum, arsonist and a rebel whose only cause was staying high. He was also the mostly absent father of two small children, an estranged husband and a mooching son of a devoted mother. His time in rehab was like a low-rent One Flew Over the Cuckoo’s Nest, shared with similar outcasts and misfits under the watchful eyes of untrusting wards. Though the book is powerfully, even entertainingly, written, reading it is about as pleasurable as a week in rehab must be—which may be Farrell’s point. But the author doesn’t fully address how he was able to elevate himself enough to write this memoir.

Not for everyone—probably best savored by addiction counselors and people in recovery.

Pub Date: July 1, 2009

ISBN: 978-0-8065-3074-1

Page Count: 280

Publisher: Citadel/Kensington

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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