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DRESS WHITES

POETRY

A compellingly emotional collection.

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A debut book of earthy, elegiac poetry.

In this work, Loftus draws on imagery from the natural environment to paint a picture of his speaker’s turbulent inner life and the calming hum of his surroundings. In three parts, he presents scenes in which the speaker faces not only nature, but history—be it his own or humanity’s—in instances of daily life: “At the bookstore / in the discard bin / among the sonnets, / it occurred to me: / I missed her.” Moments of vulnerability punctuate the poems, whether it’s a feeling that catches the speaker by surprise or when a sparrow tries relentlessly to survive: “I heaped seeds around / her clutching feet. Absurdly, / you might think”; “her prescient eye still / turned toward mine, / her silent mouth / singing to my bones.” However, Loftus is doing something other than merely pointing out the things that surround his speaker. By extracting the details that make up the big picture, the author comments on the interconnectedness of social and natural life. His poems evoke the greater romantic lyric, in which a landscape becomes the mind and the poem, a psycho-geographical description. Using maritime allusions, the author hints at the changing symbolic function of water as it relates to aging: “the natural wet / of water / it one day will press, / but glimmering wet, / adolescent, / a thing that knows no / lover yet.” Although poets have mined similar subject matter for centuries, Loftus gives it a brief update, with original line breaks, self-reflexive use of pronouns, and titles that launch his lines of inquiry from the highest peaks: “Every word he rhymed between / slippery purple carbon sheets / so not just he or I would see / but all would know his splendor.” Ultimately, the author offers readers a poetic climate that builds momentum until it finally reaches the present and understanding.  

A compellingly emotional collection.

Pub Date: March 23, 2018

ISBN: 978-1-981550-18-0

Page Count: 126

Publisher: CreateSpace

Review Posted Online: May 7, 2018

Kirkus Reviews Issue: June 15, 2018

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ONCE UPON A GIRL

Therapeutic, moving verse from a promising new talent.

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Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.

The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.

Therapeutic, moving verse from a promising new talent.

Pub Date: Nov. 2, 2018

ISBN: 978-1-72770-538-6

Page Count: 196

Publisher: CreateSpace

Review Posted Online: Jan. 9, 2019

Kirkus Reviews Issue: Feb. 15, 2019

Endings

POETRY AND PROSE

Downbeat but often engaging poems and stories.

A slim volume of largely gay-themed writings with pessimistic overtones.

Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.

Downbeat but often engaging poems and stories.

Pub Date: Nov. 16, 2015

ISBN: 978-1-5168-3693-2

Page Count: 120

Publisher: CreateSpace

Review Posted Online: March 5, 2016

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