Deeply thoughtful and satisfyingly unpretentious poems.
Loftus, who previously wrote Dress Whites (2018), repeatedly marries the heady with the mundane in this sophomore poetry collection.
There are a number of paradoxes attributed to the ancient Greek philosopher Zeno. Perhaps the most famous involves the supposed impossibility of motion: To get to any point, one must travel half of the way to it. To continue one’s journey, one must then go half the remaining distance, or one-quarter of the original trip. This pattern continues, but because there’s no line so small that it can’t be bisected, one will never reach one’s destination. Loftus’ poem “Zeno’s Paradox” takes this arcane thought experiment and gives it flesh and blood, reimagining it in terms of a man waiting for a lover who will never arrive: “He waits. For her. To enter, shut the door. /... / She’s still walking—to the broken steps, / sagging porch and flapping door, / the table, couch, his brazen, smelly hold— / as fast as he may summon her, / as slow as I implore, / she will take forever.” Thus does the author recast the philosophical as the poignant, simultaneously offering a new take on Zeno himself. He does something similar in “Camus sur le Pont,” whose title alludes to the French novelist’s 1956 book-length reflection on responsibility and abdication, The Fall: “A body strikes the water / so different after dark, / as if an exit / were an entrance, / below, above, at once, / parting a black mirror, / a looking glass of stars.” Camus’ book is about a suicide on the Seine, but Loftus adroitly (and devilishly) shifts readers’ focus away from the falling woman to the water, which swallows the body impassively. These unexpected shifts in perspective are Loftus’ stock in trade, and they infuse his deceptively straightforward poetry with depth and texture.
Deeply thoughtful and satisfyingly unpretentious poems.Pub Date: Feb. 6, 2020
ISBN: 978-1-73136-048-9
Page Count: 123
Publisher: Self
Review Posted Online: April 21, 2020
Kirkus Reviews Issue: June 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.
What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.
When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.Pub Date: Sept. 29, 2026
ISBN: 9780385550543
Page Count: 352
Publisher: Doubleday
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
SEEN & HEARD
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