by Richard Grayson ‧ RELEASE DATE: N/A
Those familiar with Grayson’s life and work will appreciate the inside look into these formative months.
Three months’ worth of diary entries from a pivotal period in the author’s life and career.
Grayson (The Silicon Valley Diet and Other Stories, 2000, etc.), began keeping a daily dairy in 1969. It’s not entirely clear why he’s decided to publish the entries from this specific time period now, but his first semester teaching at Kingsborough Community College provides something of a narrative arc, and a number of dramatic events occur within these three months–his father’s surgery to remove a facial tumor, the editing of his first collection of short stories and the Jonestown massacre and assassinations of George Moscone and Harvey Milk in San Francisco. Being dropped into the middle of someone’s life is a disorienting experience, and there’s not enough context for many of the names Grayson drops, but a handful take shape as real people: Ronna, the aspiring journalist who wants to keep sleeping with Grayson in spite of his preference for guys; Grandma Ethel, made miserable by the diet designed to keep her cancer in remission; and Rosa, the troubled student who frightens Grayson by lying to his face and then declaring her love for him. But the book is perhaps most intriguing as a portrait of a young man trying to make it as an artist in the 1970s. Almost every day brings acceptances or rejections from magazines with fabulous titles like Nit & Wit, The Smudge and Dirty Linen. Meanwhile, the author name-checks fringe luminaries such as Jonathan Baumbach, Susan Fromberg Schaeffer and Michael Lally. Elsewhere, Grayson worries his friends will think he’s a sellout for signing with the now-hard-to-remember Taplinger Publishing Company. As a writer, the author is known for his stylistic playfulness and irreverent humor, but these diary entries are straightforward and bracingly honest–the young man depicted here is kind, jealous, prickly, ambitious and frightened. Aspiring writers may feel a little less alone after reading this daily catalog of soaring ambitions and crushing doubts.
Those familiar with Grayson’s life and work will appreciate the inside look into these formative months.Pub Date: N/A
ISBN: 978-0-578-03208-5
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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