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AUTUMN IN BROOKLYN

Those familiar with Grayson’s life and work will appreciate the inside look into these formative months.

Three months’ worth of diary entries from a pivotal period in the author’s life and career.

Grayson (The Silicon Valley Diet and Other Stories, 2000, etc.), began keeping a daily dairy in 1969. It’s not entirely clear why he’s decided to publish the entries from this specific time period now, but his first semester teaching at Kingsborough Community College provides something of a narrative arc, and a number of dramatic events occur within these three months–his father’s surgery to remove a facial tumor, the editing of his first collection of short stories and the Jonestown massacre and assassinations of George Moscone and Harvey Milk in San Francisco. Being dropped into the middle of someone’s life is a disorienting experience, and there’s not enough context for many of the names Grayson drops, but a handful take shape as real people: Ronna, the aspiring journalist who wants to keep sleeping with Grayson in spite of his preference for guys; Grandma Ethel, made miserable by the diet designed to keep her cancer in remission; and Rosa, the troubled student who frightens Grayson by lying to his face and then declaring her love for him. But the book is perhaps most intriguing as a portrait of a young man trying to make it as an artist in the 1970s. Almost every day brings acceptances or rejections from magazines with fabulous titles like Nit & Wit, The Smudge and Dirty Linen. Meanwhile, the author name-checks fringe luminaries such as Jonathan Baumbach, Susan Fromberg Schaeffer and Michael Lally. Elsewhere, Grayson worries his friends will think he’s a sellout for signing with the now-hard-to-remember Taplinger Publishing Company. As a writer, the author is known for his stylistic playfulness and irreverent humor, but these diary entries are straightforward and bracingly honest–the young man depicted here is kind, jealous, prickly, ambitious and frightened. Aspiring writers may feel a little less alone after reading this daily catalog of soaring ambitions and crushing doubts.

Those familiar with Grayson’s life and work will appreciate the inside look into these formative months.

Pub Date: N/A

ISBN: 978-0-578-03208-5

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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