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WRITE-IN

DIARY OF A CONGRESSIONAL CANDIDATE IN FLORIDA'S FOURTH CONGRESSIONAL DISTRICT

Funny and devastatingly incisive.

A witty campaign diary by a wannabe Congressman far too clever to ever be elected.

In the spring of 2004, Grayson announced (mainly to himself) his bid to unseat the firmly entrenched Republican incumbent in Florida’s fourth Congressional district. Grayson’s long-shot run was made even longer by a number of factors: First, a South Floridian, Grayson had neither the time nor the money to travel to the Florida fourth, located on the Georgia border. Second, unable to afford the $9,000 filing fee, he could only run as a write-in candidate. Third, he was a gay, pro-choice, anti-war, anti-death-penalty liberal running for office in the state’s most conservative district. These insurmountable challenges–and the biting humor with which Grayson faced them–led one sympathetic journalist to call him “every seasoned politician’s worst fear: a verbose, unknown, unrestrained, write-in mock-challenger.” Grayson chronicled his efforts as a “mock-challenger” in a series of postings on McSweeney’s Internet Tendency website, and here he collects these postings in a slim, delectable volume. The author’s wry deadpan punctuates almost every entry, and his commentary is equal parts funny, sad and true. He benefits as much from his own droll intelligence as from the fact that American politics seem to have devolved into a theatre of the absurd; some of the best laughs come from Grayson’s merely transcribing passages from election questionnaires, publicity packets and political journalism that he encounters during his “campaign.” Nonetheless, the critique of election politics that his run represents is as hilarious as it is completely legitimate; gerrymandering and the incredible advantages of incumbency have resulted in a system where challengers for U.S. House seats–both “mock” and real–are defeated the vast majority of the time. And after reading this, one is left with the sinking feeling that even a thousand Graysons might never change this broken system.

Funny and devastatingly incisive.

Pub Date: Feb. 22, 2007

ISBN: 978-0-6151-4111-4

Page Count: 128

Publisher: N/A

Review Posted Online: May 23, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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