A good action fantasy for readers with a strong stomach for rape, incest, murder, cannibalism, necrophilia and the...


Asterius, the Minotaur of Greek mythology, is awakened from a millennia-long sleep to wreak havoc on 1980s Washington, D.C.

Guimond’s fantasy novel is firmly rooted in the same genre as The Lost World and The Mummy, where hubristic scientists dig up things-better-left-buried, with predictably disastrous results. As destruction is wrought upon the iconic landmarks of the modern world by rampaging denizens of the dawn of time, readers should expect to find the same stylings they would find in a blockbuster of this ilk. The archaeologist in this case is Naomi Slocum, a redheaded hottie and resident raider-of-the-lost-whatever at Douglas Hackett’s Bizarrerie, a museum of the weird, conveniently located a few blocks from the National Mall. Slocum and Hackett have gone to Crete to dig up what they believe is the mummy of Asterius, but the mummy, as is so often the case, is not quite as dead as they thought. Upon their return to D.C., matters are complicated by Hackett’s increasing—and unexplained—madness and his murder of their Greek liaison, Bounakees; this murder is the first of many. The Bounakees sons are determined to avenge their father, recover the Minotaur and teach those nasty Americans a lesson for stealing their antiquities, their architecture and their political philosophy. Meanwhile, Asterius slowly awakens, which the author details with peculiar and clinical descriptions of his metabolism. He’s ready to resume raping and killing maidens, carried out here in graphic, bloody and cannibalistic detail. The plot is fast-paced and builds to a magnificent climax when Asterius creates an army of resurrected dinosaurs and “savages” from the contents of the Smithsonian. But these characters are two-dimensional at best and repulsive at worst; Naomi, the putative heroine, wards off far too many threats of violent rape from the bad guys. This voyeuristic violence against women is perhaps the most disturbing aspect of Guimond’s novel as men die off-page and women on.

A good action fantasy for readers with a strong stomach for rape, incest, murder, cannibalism, necrophilia and the desecration of corpses.

Pub Date: March 12, 2012

ISBN: 978-1461115885

Page Count: 442

Publisher: CreateSpace

Review Posted Online: Aug. 31, 2012

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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