Next book

RESTLESS GENIUS

BARNEY KILGORE, THE WALL STREET JOURNAL, AND THE INVENTION OF MODERN JOURNALISM

Good reading for students of journalism and for general readers interested in the history of an extraordinary institution,...

Short biography of the man who turned the Wall Street Journal into the most successful paper in America.

Having taken only a single economics course at DePauw University, Barney Kilgore arrived in New York City in 1929 to accept a reporting job at the Journal a mere seven weeks before the biggest market meltdown in the nation’s history. During the course of his nearly 40-year career he would hold every important position at the paper, revolutionize the notion of business news and turn the enterprise founded by Charles Dow and Edward Jones into a national force. As a field reporter during the Great Depression, Kilgore wrote not for bankers, but for bank depositors, for and from the perspective not of insiders, but of readers, believing business news should be broadly understood as affecting everyone who makes a living. Despite access to a trove of Kilgore’s personal letters, former Journal assistant publisher Tofel (Sounding the Trumpet: The Making of John F. Kennedy’s Inaugural Address, 2005, etc.) recovers little of this buttoned-up Midwesterner’s inner life, but the story here is mostly about the Journal’s transformation. The author supplies a potted history of the paper, a look at the Bancroft family (especially C.W. Barron), who owned the Journal for 105 years, and mini-portraits of Bill Kerby, Vermont Royster, William Henry Grimes and Casey Hogate, all instrumental to the rise of Kilgore and the Journal. The changes Kilgore wrought, stylistic and substantive, included using anecdotal leads and “nut grafs” to give stories a magazine feel, employing front-page news summaries, establishing nationwide printing plants, adopting the Electric-Typesetter and attending to the new science of opinion polling. All helped shoot the Journal ahead of competitors, giving the paper sufficient clout and credibility to prevail in a memorable 1955 face-off with the country’s largest corporation, General Motors, when the unhappy giant threatened to pull advertising over a dispute with the paper’s coverage.

Good reading for students of journalism and for general readers interested in the history of an extraordinary institution, acquired last year by Rupert Murdoch’s News Corporation.

Pub Date: Feb. 1, 2009

ISBN: 978-0-312-53674-9

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2008

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 112


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 112


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview