A comprehensive and moving portrait of a resurrected American icon.

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HEAV’NLY TIDINGS FROM THE AFRIC MUSE

THE GRACE AND GENIUS OF PHILLIS WHEATLEY

A biography explores the life and work of the poet Phillis Wheatley.

Too long ignored by scholars of American poetry, Wheatley’s oeuvre is finally regarded as an indispensable part of the national heritage. It provides a glimpse into the birth of African- American literature, American women’s literature, and America itself. Using Wheatley’s poetry and other primary sources from the 18th century—including some that have only recently been rediscovered—Kigel argues for the exceptional place Wheatley inhabits in American letters. Arriving in Boston as a slave—“She could not have been more than seven years old”—in 1761, she was purchased by the wealthy Wheatley family and named Phillis after the ship that brought her across the middle passage. After receiving an unprecedented education by the Wheatleys’ daughter, Mary, Phillis started writing poetry, publishing her first book at 20 and thereby becoming a sensation on both sides of the Atlantic. Celebrating George Washington and the Revolutionary cause in her verses, Wheatley was, as Kigel argues, the de facto poet laureate of the war, serving as both a champion and the embodiment of the humanistic values that would become the basis of the American identity. With a foreword in verse by Nikki Giovanni, the book deftly blends poetry, biography, and criticism to argue for Wheatley’s pre-eminence in the American literary pantheon. Kigel (Becoming Abraham Lincoln, 2017, etc.) writes in a literary prose that summons the drama of Wheatley’s life in novelistic detail: “Like the others, she had been taken from home and family, crammed into a pit of unimaginable squalor, and left to languish there, sickened by the stench of disease and death, lonely, terrified, and utterly deprived of any human comfort.” While his treatment of his subject often borders on the hagiographic, Wheatley is one of those figures whose stories are so utterly unlikely that it is difficult not to write of them with reverence. Thoroughly researched and delightfully readable, the stirring book makes a fine addition to the growing library of Wheatley studies.

A comprehensive and moving portrait of a resurrected American icon.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Paragon House

Review Posted Online: June 1, 2017

Kirkus Reviews Issue: July 1, 2017

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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