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THE SMITHSONIAN'S HISTORY OF AMERICA IN 101 OBJECTS

A well-conceived and well-illustrated pleasure to read, combining narrative history and keepsake volume.

An overstuffed exploration of American history as related through material artifacts, from Meriwether Lewis’ compass to relics of the Space Age.

The “history of X in Y objects” trope, launched by Neil MacGregor’s History of the World in 100 Objects a few years ago, is already in danger of becoming a cliché. Indisputably, though, if you wanted to learn about American history through material holdings, the Smithsonian would be the place to start and end, just as the British Museum served as the trove of first and last resort for MacGregor. Smithsonian Undersecretary Kurin’s (Madcap May: Mistress of Myth, Men, and Hope, 2012, etc.) tales are abundant, so much so that it seems almost a shame to stop at a mere 101 items, fat though this book is. For instance, who knew that the original Stars and Stripes, the flag that flew over Fort McHenry during the War of 1812, was packed off to shelter in the Shenandoah Valley of Virginia during World War II because Franklin Roosevelt “feared Germany might bomb the National Mall”? Beginning 500 million years ago, Kurin celebrates the Burgess Shale fossils, which gave Stephen Jay Gould material evidence for his evolutionary theory of punctuated equilibrium; then writes of the bald eagle, “adopted as a national symbol…for its connotations of indomitable force”; and then turns to Clovis points, the tools that early Indian hunters used to bring down mammoths, bison and perhaps even an eagle or two. Rocketing through hundreds of years by way of a Colt revolver, the lyrics to “This Land Is Your Land” and Sitting Bull’s sketchbook (again, who knew?), Kurin closes with some of the tools of our time, from Chuck Berry’s guitar to the first Apple computer and on to galaxies far beyond our own.

A well-conceived and well-illustrated pleasure to read, combining narrative history and keepsake volume.

Pub Date: Nov. 5, 2013

ISBN: 978-1-59420-529-3

Page Count: 768

Publisher: Penguin Press

Review Posted Online: Sept. 9, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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