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RN

THE MEMOIRS OF RICHARD NIXON

            “I intended to play the role of the President right to the hilt and right to the end.”  Thus RN, whose words read less like memos here than they did in the newspaper excerpts and more like the last will and testament of a fighter who never willingly gave ground.  Had he been urged to resign, he avers, he would have rebelled; and his review of the two occasions – the “secret fund” crisis, the second v.p. nomination – when he felt himself crowded and didn’t cave in, back up his claim.  “And tell them I know something about politics too!”  he quotes himself as shouting over the phone, in the first instance, to a wheedling, dissembling Tom Dewey.  He was a mere freshman senator then, built up by the Hiss case, but always had ideas of his own.  Not public affairs:  He had nothing against communism, he says, until Churchill’s Iron Curtain speech.  So it’s when he’s talking politics that his celebrated caginess becomes an asset and his acumen is in evidence; and only then, too, is he interesting about people.  Poor Rose Mary Woods, for instance, turns up unheralded, whereas Bob Haldeman scores for spotting the potential of campaigning-by-TV, not whistle-stop train.  (Apropos of the pardon request, Nixon notes wryly that “Haldeman, ever the efficient Chief of Staff, had included a specially typed page to insert in my resignation speech.”)  By the same token, while the extensive travels are dull, dull, dull, the final days are distinctly not:  Intent on being a leader from the time when, four years out of law school, he was president of every organization in sight, he is fully aware of what’s slipping away.  He records the silence – instead of the usual applause – that greeted his entrance to the last Cabinet meeting, the “sober, noncommittal” faces as he thanks his aides for their support; and like a prospective suicide, he imagines the effect his farewell cables will have on Chou and Chairman Mao, “in Cairo and Tel Aviv, in Damascus and Amman” – where, “eight weeks ago, I had been accorded unprecedented acclaim.”  How the mightiest fell:  it may not be worth a thousand pages, but they do carry weight.

Pub Date: June 5, 1978

ISBN: 0448143747

Page Count: 1192

Publisher: N/A

Review Posted Online: May 22, 2012

Kirkus Reviews Issue: June 1, 1978

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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