Triumphantly true to form, Powers continues the densely layered and intricate plotting found in his earlier novels (Prisoner's Dilemma, Three Farmers on Their Way to a Dance) in this stunning epic that delves into molecular genetics, music, and information science, eloquently combining the mysteries of love and the passionate pursuit of knowledge. In a manner reminiscent of A.S. Byatt's Possession, a capable young reference librarian renews her sense of purpose as she and a computer technician/art-historian come together in seeking to recover the past of his co-worker Stuart Ressler, a brilliant older man wasting his talents as the night supervisor in a Brooklyn data- processing facility—and soon unmasked as one of the brightest hopes in genetics in the 1950's who vanished from the field after a promising start. The interweaving threads of narrative reconstruct a tragic affair between Ressler the scientist and a married colleague; a similarly electrifying and devastating relationship between the two sleuths; the perilous path of science as it grapples with the fundamental patterns of life; and the librarian's own obsession with the secrets of genetic coding, initiated in despair after learning of Ressler's death from cancer. Ranging in detail from genetic formulas to musical ones (with the title a typically witty reference to both Bach's variations and the Poe short story), replete with scintillating characters, especially the oddball team of scientists gathered to crack the code on a midwestern campus in the 50's, and structurally as well-tempered as a Bach fugue, the harmonious interplay between personal and scientific drama is both challenging and exquisite. A formidable masterpiece, deeply vital and sparkling in its many facets, whimsical in its prose yet precise in its elucidation- -rewarding in every sense but, in particular, a profoundly moving love story.
Pub Date: Aug. 19, 1991
ISBN: 0-688-09891-6
Page Count: 696
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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