Pryor reflects on a life of humor and hard living altered forever by the recent diagnosis of multiple sclerosis. Pryor has always been a fearless black man. His foul language, his willingness to address race and racism directly and intimately revolutionized comedy in the '60s and '70s and made way for comedians such as Eddie Murphy, Martin Lawrence, and Joe Torry. But as Pryor explains here, aided by Gold of People magazine, he never equated people's laughing at his jokes with their liking him. His cocaine addiction and the escapades that addiction prompted led him on a wild road that some, like comic John Belushi, didn't survive. His addiction to women was equally as destructive. As he recounts in the book, he was married six times, twice to the same woman, with countless affairs in between. He recognized himself as ``the dark comic genius, the Bard of Self Destruction'' and calls MS ``the light'' that transforms his life, making him slow down and stop using drugs. What is so painful to read here is the way our culture's obsession with celebrity distances those who become famous from the honesty and love they once had. When Pryor had a heart attack scare, he says, ``My family worried themselves sick. They were probably closer to death than I was. They saw their money supply gasping for air, moaning and writhing in pain.'' It is even more shocking to read that his doctors offered all sorts of explanations for his heart troubles, but never once mentioned his cocaine addiction. They simply told him to take it easy. Pryor's analysis of Hollywood's reaction to him is similarly insightful. After the massive box-office success of his movie Richard Pryor: Live In Concert, he says that Hollywood rediscovered him. He wasn't black. He wasn't white. He was green. There are no big surprises here, this is not a celebrity tell- all. This is a powerful autobiography of a talented man who made every effort to ruin his body and his career and lived to tell the tale. (16 pages b&w photos, not seen)
Pub Date: May 30, 1995
ISBN: 0-679-43250-7
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1995
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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