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PRYOR CONVICTIONS

AND OTHER LIFE SENTENCES

Pryor reflects on a life of humor and hard living altered forever by the recent diagnosis of multiple sclerosis. Pryor has always been a fearless black man. His foul language, his willingness to address race and racism directly and intimately revolutionized comedy in the '60s and '70s and made way for comedians such as Eddie Murphy, Martin Lawrence, and Joe Torry. But as Pryor explains here, aided by Gold of People magazine, he never equated people's laughing at his jokes with their liking him. His cocaine addiction and the escapades that addiction prompted led him on a wild road that some, like comic John Belushi, didn't survive. His addiction to women was equally as destructive. As he recounts in the book, he was married six times, twice to the same woman, with countless affairs in between. He recognized himself as ``the dark comic genius, the Bard of Self Destruction'' and calls MS ``the light'' that transforms his life, making him slow down and stop using drugs. What is so painful to read here is the way our culture's obsession with celebrity distances those who become famous from the honesty and love they once had. When Pryor had a heart attack scare, he says, ``My family worried themselves sick. They were probably closer to death than I was. They saw their money supply gasping for air, moaning and writhing in pain.'' It is even more shocking to read that his doctors offered all sorts of explanations for his heart troubles, but never once mentioned his cocaine addiction. They simply told him to take it easy. Pryor's analysis of Hollywood's reaction to him is similarly insightful. After the massive box-office success of his movie Richard Pryor: Live In Concert, he says that Hollywood rediscovered him. He wasn't black. He wasn't white. He was green. There are no big surprises here, this is not a celebrity tell- all. This is a powerful autobiography of a talented man who made every effort to ruin his body and his career and lived to tell the tale. (16 pages b&w photos, not seen)

Pub Date: May 30, 1995

ISBN: 0-679-43250-7

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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