by Richard Rydon ‧ RELEASE DATE: July 15, 2008
Periodically intriguing but ultimately frustrating science fiction.
A science-fiction tale dealing with artificial intelligence attempts to cross itself with a political thriller dealing with state-sponsored torture.
In the year 2025, young scientist Luper Beauchamps has just secured a dream job with Silicon Valley powerhouse Wes Lane Inc. testing cutting-edge biological computers known as “neurospheres.” The problem-solving skills and scientific acumen of Luper and his team soon result in dramatic improvements to the neurospheres, much to the delight of their ambitious boss, Quade Barras. However, their success also creates difficulties–as the biological computers grow smarter, they inch closer to achieving a state of true, humanlike self-awareness, thereby making them subject to a complicated web of rules and regulations designed to ensure the ethical treatment of A.I. entities. Computer ethics expert Broc Fulton guides Luper and his colleagues through this ethical minefield, and their conversations constitute an occasionally thought-provoking foray into a conversation begun by Isaac Asimov’s Three Laws of Robotics and continued by many science-fiction writers since. Unfortunately, Rydon chose to bury this subplot under a plodding, poorly executed political thriller. In that plot, Luper and his friends increasingly suspect a connection between their ethically challenged boss Quade, the experimental new neurospheres and the military base and “Central Asian Embassy” adjacent to the facilities of Wes Lane. This storyline fails to thrill for several reasons: the novel is slowed to a crawl by dull descriptions of Luper’s laboratory work; the characters are one-dimensional; the wooden dialogue makes the characters all sound like one another; and the protagonists are prone to volunteering anomalous anti-American remarks, such as Luper’s comment, “I’m glad I’m not American…I’d hate to be born so stupid.” The attempts to describe how mankind will grapple with the ethics of emerging artificial intelligence are this novel’s strongest moments.
Periodically intriguing but ultimately frustrating science fiction.Pub Date: July 15, 2008
ISBN: 978-1-4092-1296-6
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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