Periodically intriguing but ultimately frustrating science fiction.
A science-fiction tale dealing with artificial intelligence attempts to cross itself with a political thriller dealing with state-sponsored torture.
In the year 2025, young scientist Luper Beauchamps has just secured a dream job with Silicon Valley powerhouse Wes Lane Inc. testing cutting-edge biological computers known as “neurospheres.” The problem-solving skills and scientific acumen of Luper and his team soon result in dramatic improvements to the neurospheres, much to the delight of their ambitious boss, Quade Barras. However, their success also creates difficulties–as the biological computers grow smarter, they inch closer to achieving a state of true, humanlike self-awareness, thereby making them subject to a complicated web of rules and regulations designed to ensure the ethical treatment of A.I. entities. Computer ethics expert Broc Fulton guides Luper and his colleagues through this ethical minefield, and their conversations constitute an occasionally thought-provoking foray into a conversation begun by Isaac Asimov’s Three Laws of Robotics and continued by many science-fiction writers since. Unfortunately, Rydon chose to bury this subplot under a plodding, poorly executed political thriller. In that plot, Luper and his friends increasingly suspect a connection between their ethically challenged boss Quade, the experimental new neurospheres and the military base and “Central Asian Embassy” adjacent to the facilities of Wes Lane. This storyline fails to thrill for several reasons: the novel is slowed to a crawl by dull descriptions of Luper’s laboratory work; the characters are one-dimensional; the wooden dialogue makes the characters all sound like one another; and the protagonists are prone to volunteering anomalous anti-American remarks, such as Luper’s comment, “I’m glad I’m not American…I’d hate to be born so stupid.” The attempts to describe how mankind will grapple with the ethics of emerging artificial intelligence are this novel’s strongest moments.
Periodically intriguing but ultimately frustrating science fiction.Pub Date: July 15, 2008
ISBN: 978-1-4092-1296-6
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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