Periodically intriguing but ultimately frustrating science fiction.
A science-fiction tale dealing with artificial intelligence attempts to cross itself with a political thriller dealing with state-sponsored torture.
In the year 2025, young scientist Luper Beauchamps has just secured a dream job with Silicon Valley powerhouse Wes Lane Inc. testing cutting-edge biological computers known as “neurospheres.” The problem-solving skills and scientific acumen of Luper and his team soon result in dramatic improvements to the neurospheres, much to the delight of their ambitious boss, Quade Barras. However, their success also creates difficulties–as the biological computers grow smarter, they inch closer to achieving a state of true, humanlike self-awareness, thereby making them subject to a complicated web of rules and regulations designed to ensure the ethical treatment of A.I. entities. Computer ethics expert Broc Fulton guides Luper and his colleagues through this ethical minefield, and their conversations constitute an occasionally thought-provoking foray into a conversation begun by Isaac Asimov’s Three Laws of Robotics and continued by many science-fiction writers since. Unfortunately, Rydon chose to bury this subplot under a plodding, poorly executed political thriller. In that plot, Luper and his friends increasingly suspect a connection between their ethically challenged boss Quade, the experimental new neurospheres and the military base and “Central Asian Embassy” adjacent to the facilities of Wes Lane. This storyline fails to thrill for several reasons: the novel is slowed to a crawl by dull descriptions of Luper’s laboratory work; the characters are one-dimensional; the wooden dialogue makes the characters all sound like one another; and the protagonists are prone to volunteering anomalous anti-American remarks, such as Luper’s comment, “I’m glad I’m not American…I’d hate to be born so stupid.” The attempts to describe how mankind will grapple with the ethics of emerging artificial intelligence are this novel’s strongest moments.
Periodically intriguing but ultimately frustrating science fiction.Pub Date: July 15, 2008
ISBN: 978-1-4092-1296-6
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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