by Richard Snodgrass ‧ RELEASE DATE: N/A
A thoughtful and powerfully written war novel.
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A Confederate spy becomes caught between duty and love in this Civil War drama.
In 1863, Judson Walker, a Confederate captain and a member of the infamous Morgan’s Raiders, is sent to Furnass, Pennsylvania—deep in enemy territory—on a sensitive mission disguised as a Union officer. Jonathan Reid, an engineer, accompanies him. The two are tasked with determining if the road engines invented by Colin Lyle could be modified to make Gatling guns even deadlier, a technological innovation that could sway the outcome of the war. Walker does his best to keep up the ruse that he’s a Union soldier despite his Southern accent, since “if someone exposed him right now as a Southern spy,” there were people who “would probably run from their houses and beat him to death, tear him limb from limb for being a traitor.” Walker frets anxiously that Libby, Colin’s wife, suspects him—she too is a Southerner, originally from South Carolina, and quickly detects his accent—but he also begins to have irrepressible feelings for her that could compromise his operation. Meanwhile, Reid observes Walker’s growing attachment to Libby and is confronted with the possibility that he’ll have to take matters into his own hands. Snodgrass (All Fall Down, 2018, etc.) sensitively investigates the ways in which the lines between the North and South could be hazily drawn—Walker realizes that “by some definitions he was a Northerner himself.” Reid loathes Walker for his incarnate representation of everything wrong with the South, “the backwoods mentality, the backwater view of the world.” The author’s meticulous, measured prose is well-suited to his principal literary task: the depiction of ambiguity that resides in the interstices between heavy-handed extremisms. Walker is a grippingly complex character. An educated man—he’s a lawyer—he’s willing to risk his life for the South, but he’s hardly an ideological partisan. And Colin, too, is more layered than he at first seems—a scientific fanatic, he’s so committed to his invention he’s either incapable or unwilling to notice the electricity between Libby and Walker. But despite Colin’s professional commitments, he’s not coldly rational either: “Maybe that’s why I find machines easier to deal with than people. When a machine doesn’t do what you want it to, you simply make a new gear or whatever. Maybe someday we’ll be able to make one for the human heart.” Snodgrass artfully infuses the plot with tantalizing suspense that feels like a cord pulled taut that could break at any moment. This is not a formulaic rendering of the distance between the personal and the obligatory but something deeper and more profound. Walker’s burgeoning love for Libby compels him to re-evaluate the very nature of his obligations, as if his feelings produced a new clarity. The author’s impressive achievement is to upend the simplistic interpretation of the Civil War: two sides warring against each other out of perfectly confident and implacable hate.
A thoughtful and powerfully written war novel.Pub Date: N/A
ISBN: 978-0-9997699-1-1
Page Count: 329
Publisher: Calling Crow Press
Review Posted Online: March 27, 2019
Review Program: Kirkus Indie
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by Richard Snodgrass ; photographed by Richard Snodgrass
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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