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I INVENTED THE MODERN AGE

THE RISE OF HENRY FORD

Stylistically, Snow mimics the marvelously folksy, protean temperament of his subject, dwelling on Ford’s early mechanical...

Evidently fired up by Ford’s success story, former American Heritage editor-in-chief Snow (A Measureless Peril: America in the Fight for the Atlantic, the Longest Battle of World War II, 2010, etc.) conveys his interest by delving deeply into the details of Ford’s mechanical genius.

How did he construct the simple, durable, cheap automobiles that were to transform American life for just about everybody in the first decades of the 20th century? Snow reminds readers constantly that Ford was a farmer’s son whose interest in machinery was stoked by his abhorrence for intensive farm labor and by his hope to make it less cumbersome and more efficient. Inculcated with the teachings of the McGuffey readers (stressing “truth, honesty, fair-dealing, initiative, invention, self-reliance”), Ford honed his skills in Detroit by repairing everything from watches to locomotive wheels, apprenticing in steam, electricity and gas engines, studying them all until he constructed his first gas engine in the kitchen of his first home in 1893. The horseless carriage was a burning ambition for many inventors and did exist in many forms around that time, though Ford’s gas engine earned accolades from Thomas Edison, who recognized the limits of electricity and the value of Ford’s self-contained combustion unit. Where he spun his genius was in keeping the evolving automobile available to the Everyman, rather than just as a toy for the elite. Snow frequently separates the facts from the apocryphal—e.g., that sales of Model As did not go anywhere until after the San Francisco earthquake of 1906 showed the world the tremendous use of automobiles and “the soundness of Henry Ford’s idea,” and that the $5-a-day wage was not Ford’s original notion but his vice president’s.

Stylistically, Snow mimics the marvelously folksy, protean temperament of his subject, dwelling on Ford’s early mechanical inventions rather than his latter problematic prickliness, and everywhere portraying a compelling character.

Pub Date: May 14, 2013

ISBN: 978-1-4516-4557-6

Page Count: 384

Publisher: Scribner

Review Posted Online: Feb. 17, 2013

Kirkus Reviews Issue: March 1, 2013

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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