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XERXES

A PERSIAN LIFE

A biography that awakens curiosity and whets the appetite for more information.

Stoneman (Pindar, 2014, etc.) sorts through millennia of literature and histories to try to reveal Xerxes, the powerful ruler of the Achaemenid Empire.

The author sets a difficult task, and he cites a vast array of sources—Ferdowsi, Herodotus, Ctesias, Plutarch, and everyone in between—in his quest for the truth about the Persian king who lost Greece. The first problem is that the largest empire the world had seen up to the fifth century B.C.E. had only oral history and little or no literature. The Greeks and Jews did, and they defined themselves in relation to Persia. Persia’s rule was the catalyst, and the Greek language enabled literature to emerge and circulate. The author carefully and concisely compares, refutes, and corrects names and events without tying readers’ brains in knots—no small feat. As Stoneman notes, “ancient writers were not, as a rule, interested in constructing biographies in the modern sense—certainly not on the scale of some modern tomes.” The description of the Persian character is one of the most valuable parts of the book. They were a peaceful people given to planting gardens—not for show, nor for sustenance, but to create a paradise on Earth. So why did Xerxes decide to attack the Greeks, ignoring the warning of his naval commander? The author supposes that, to prove his worth, he needed to carry out a “great deed,” which he did with the vengeful razing of Athens. What the Greeks saw as great victories at Salamis and even Thermopylae barely damaged the Persian Empire. Xerxes’ ultimate grand design was Persepolis, one of the great wonders of the world that was unfortunately mostly destroyed by Alexander the Great.

A biography that awakens curiosity and whets the appetite for more information.

Pub Date: Oct. 6, 2015

ISBN: 978-0-300-18007-7

Page Count: 288

Publisher: Yale Univ.

Review Posted Online: July 7, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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