A lightweight, entertaining Broadway yarn.
A young New York actor finds his life imitating his art in this gay theater romance.
Mason Burroughs, an insecure, pudgy, 25-year-old actor, struggles for bit parts in Manhattan. The only bright spot in his life is his relationship with live-in boyfriend Eric, a nice video game programmer. Through luck and connections, Mason lands the second lead in a Broadway period piece called Masque, featuring Elizabethan palace intrigue, knife play, lengthy dying soliloquies, and a hot-and-heavy bisexual love triangle. Playing the seductive Count Ezio to Mason’s ingénue soldier Caleb is Kevin Caldwell, a gorgeous, charming, selfish actor whom Mason had a fierce, unrequited crush on years ago and with whom he will now have to play a climactic nudish sex scene. Adding to the pressure are an obnoxious understudy who looks exactly like Mason and has obvious designs on his part and Kevin’s body; a stern personal trainer who gets Mason in shape with man-killing workouts and revolting organic teas; and an imperious director who puts Mason through bizarre nude theater exercises. (There is a lot of nudity in the book, not all of it germane to character development.) Mason sheds pounds and adds muscle, builds his acting chops, and spends rehearsals making out with Kevin onstage—and finds his erstwhile lust now earnestly returned. Will he dump poor Eric and succumb to the rakish Kevin like Caleb swooning for Ezio? The steamy debut novel adds an overlay of confused identity to what is essentially a fantasia, with a Cinderella makeover swirling Mason into the limelight and the affections of a previously unattainable hunk; it’s sprightly but not too deep. Mason himself is not a compelling protagonist and his relationship with Eric feels dull and bickery. Kevin, an Adonis with intriguing hidden wounds, is the more captivating and actually less narcissistic figure, and there’s a splendid supporting cast of colorful, well-drawn secondary characters. The play-within-the novel delivers an absurd plot and bad dialogue (“My liege, I have been sent from the fronts of battle, to deliver unto you, this message”), but the book offers absorbing, lively procedures, from line-reading and note-dispensing to costume-fitting and investor-schmoozing. Pearson is a fluent writer, and though his lead can’t really carry the production, the show around him grabs the reader’s attention.
A lightweight, entertaining Broadway yarn.Pub Date: May 4, 2016
ISBN: 978-1-59021-518-0
Page Count: 296
Publisher: Lethe Press
Review Posted Online: March 18, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
