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THE APPRENTICE OF FEVER

paper 0-87338-615-9 Marilyn Hacker picked this debut for the press’s Wick Award—a collection by a New York poet she admires for his supposedly transgressive focus on things —corporeal—and for his passionate discussion of his homosexuality and his lover’s demise by AIDS. With Tayson’s attention to the etiology of disease and his autobiographical sex tales, the volume adds up to yet one more memoir from the history of an epidemic. The poet’s apparent self-loathing and his survivor’s guilt seem conventions within the genre, which he seldom transcends in these clear but formally uninspired verses. The best rely on indirection and deviate from the straight-forward AIDS narrative: —Phone Sex— splices the recordings heard on a sex line with memories of an affair with a married man and proclaims the poet’s unabashed lust (—I love all men’s cocks—); —Love as an Argument in Time and Loss— imagines ancient Greek lovers; and the seven-part —Sacraments,— with its clever variation on Psalm 23, mixes Christian imagery with personal memory and eroticizes the poet’s boyhood Christ. Elsewhere, Tayson remembers fearing God’s wrath (—The Gift—) and experiencing separation from both God and family (—First Sex—), only to find spiritual ecstasy in sex (—The Ascension—), especially in anal penetration (—Sacred Anus—). The many poems about his now-dead lover and the course of his illness pose an obvious challenge: to say anything negative would seem misanthropic and incorrect.

Pub Date: Jan. 1, 1999

ISBN: 0-87338-614-0

Page Count: 72

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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I WHO HAVE NEVER KNOWN MEN

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In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur ("I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct").

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Pub Date: May 1, 1997

ISBN: 1-888363-43-6

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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