by Richard West ‧ RELEASE DATE: Sept. 1, 1998
Charming urbanity and a keen historical imagination characterize this biography of the writer who not only helped invent the novel, but did much to shape the modern newspaper and the modern political campaign. West (Tito, 1995), a well-traveled veteran British journalist, begins his life of Defoe by describing how he became fascinated, 30-odd years ago, by that author’s travelogue A Tour of the Whole Island of Great Britain. What West offers here is a tour through British history during Defoe’s lifetime, a journey that extends from the Great Fire of 1666 through the Glorious Revolution and Hanoverian Succession and thence into the 1720s, when the elderly Defoe, having published Robinson Crusoe in 1719, continued to produce fiction masterpieces. What makes this tour possible is the fact that Defoe was intimately involved in the crucial events of his day. He served Robert Harley and other key ministers as a secret agent, publicist, and all-around factotum, while publishing, in a series of newspapers and tracts, crucial articles on issues of trade, religious rights, foreign affairs, and Anglo-Scots unity. West freely acknowledges that he relies on a few outdated monumental histories of the period (Macaulay, Trevelyan, Churchill) and on Paula Backsheider’s recent academic biography of Defoe. More seriously, he does not display an awareness of recent controversies over just how many of the works attributed to him Defoe actually wrote. Yet West is clearly an aficionado of English history, and whatever he lacks in scholarly expertise he makes up for with the empathy that he evinces for his fellow journalist’s travails, which included several jailings for bankruptcy and a famous spell in the pillory. West’s closing chapters on the novels and the Tour tend towards summary, but contain quite moving passages of imaginative sympathy with the author. Not a definitive biography, but rather an endearingly personal one that opens up a window on the soul of a writer who experienced firsthand much of what was vital in his time. (8 pages illustrations, not seen)
Pub Date: Sept. 1, 1998
ISBN: 0-7867-0557-4
Page Count: 446
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
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by Richard West
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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