A thought-provoking story that offers a delicate balance of archaeology and apocalyptic, extreme survival.

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An archaeology team conducting research in the Canadian High Arctic confronts an environmental catastrophe in Will’s (The Wigwams in My Backyard, 2015) novel.

In 1980, Dr. Mike Borden and his carefully selected team of students receive funding to do an archaeological survey on Banks Island, part of the Canadian Arctic Archipelago. Little do Mike and company know that the expedition will coincide with the Oglethorpe Event, a global disaster in the form of a solar storm. The novel’s realism is convincing from the outset, to the extent that it will be tempting for readers to investigate whether the fictional Oglethorpe Event actually occurred. The novel, told in the form of Mike’s diary, begins by detailing the team’s preparations for the expedition. Despite a chain of events ranging from the unfortunate to the tragic, the team remains focused on their goal. Their training includes a briefing on how to use radios and rifles, and how to manage supplies; the language in these passages has the necessary academic precision, although some readers may consider it dry: “We’ll also take two, small, portable gas stoves with us. One of them will act as a backup. They each have a single burner and weigh 2.5 pounds when full with white gas.” Despite Will’s admirable thoroughness, he might have spent significantly less time on such details in order to expand upon the team’s experiences and discoveries in the field. There, the team face all manner of dangers as they slowly come to terms with the fact that they’ve lost contact with a world that’s plunged into turmoil. The diary entries draw an intricate psychological profile of Mike as a character. However, they leave Mike’s team of graduates—Eric, Carla, and Kate—disappointingly underdeveloped. Furthermore, the fact that the Oglethorpe Event occurs without the team’s knowledge means that its impact is unsatisfyingly sketchy and reduced to a few explanatory paragraphs at the beginning of the story. These are minor complaints, though, which do little to detract from what’s mostly a carefully conceived, compelling novel.

A thought-provoking story that offers a delicate balance of archaeology and apocalyptic, extreme survival. 

Pub Date: Sept. 20, 2016

ISBN: N/A

Page Count: 262

Publisher: CreateSpace

Review Posted Online: Nov. 19, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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