An enthusiastic portrayal of an iconic performer.
In a spectacular Las Vegas show, Elvis Presley (1935-1977) revived his flagging career.
Entertainment journalist Zoglin (Hope: Entertainer of the Century, 2014, etc.) uses Elvis’ 1969 comeback to recount a history of Las Vegas from 1931, when Nevada became the first state to legalize gambling, to its current iteration as a vacation destination boasting lavish, theme park–like hotels, designer shops, gourmet restaurants, blockbuster performers (Celine Dion, Elton John, and Lady Gaga, to name a few), and high-tech, hugely expensive extravaganzas, such as Cirque du Soleil. Before focusing on Elvis, the author reprises stories about “the boozing, macho Rat Pack” and many other headliners who drew crowds at the city’s glitziest hotel, the Sands. “Sinatra was the king,” Zoglin writes, “Vegas’s undisputed Most Valuable Player,” selling out his shows and attracting wealthy gamblers to the casinos. The 1960s, though, saw a “seismic shift, in music as well as in the rest of the culture”; along with the advent of rock ’n’ roll and the Beatles, tumultuous political events such as Vietnam, anti-war protests, and civil rights activism all affected the Vegas strip. Elvis, too, had gone through “a rough decade…in many ways a disastrous one.” His early trajectory to fame had been interrupted by two years of military service. When he returned in 1960, at the advice of his domineering manager Col. Tom Parker, he gave up live performing, instead appearing in a spate of lackluster movies. By 1969, writes the author, both Elvis and Parker agreed that he needed to return to the concert stage—beginning with Vegas. Drawing on scores of interviews, Zoglin paints a vibrant picture of Elvis’ thrilling, electrical presence: “everyone was dumbstruck,” one woman said. “It was one of the greatest shows I’ve ever seen.” Elvis’ performance, writes the author, “set a new standard for Las Vegas. The star was now his own spectacle.” Sadly, success proved brief: Less than a decade later, the star was dead.
An enthusiastic portrayal of an iconic performer.Pub Date: July 23, 2019
ISBN: 978-1-5011-5119-4
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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