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HOPE

ENTERTAINER OF THE CENTURY

In this rich and entertaining work, Zoglin pulls no punches but also remains an astonished admirer.

A contributing editor and theater critic for Time weighs in with what will immediately become the definitive biography of the legendary comedian, born Leslie Townes Hope (1903-2003).

Born in England at a time when movies were new—and talkies were still decades away—Hope, whose family immigrated to Cleveland, Ohio, in 1908, lived to see moon landings and the Internet. Zoglin (Comedy at the Edge: How Stand-up in the 1970s Changed America, 2008) credits Hope for a number of things (including stand-up comedy itself), and he writes at times in jaw-dropped amazement at how Hope succeeded in, even dominated, every medium available to him: Broadway, vaudeville, movies, radio, TV and live appearances of all varieties. He wrote best-sellers and popular newspaper columns as well—though, as Zoglin points out continually, after success began to arrive, Hope had a large team of writers. The author notes that Hope had a quick wit, impeccable timing and, later, the ability to read cue cards, which became his preferred performance aid (he did not like teleprompters). Zoglin’s presentation is generally chronological, but with Hope’s many activities—tours to military zones, TV specials, “Road” movies with Bing Crosby—the author sometimes groups things thematically. Those who knew Hope only in his later cue-card–reading days will be surprised to learn about his grace as a dancer, his cool (not warm) relationship with Crosby, his myriads of sexual escapades (despite a marriage of nearly 70 years), his temper, his ferocious work ethic and his vast real estate holdings in California. Older readers will once again live through Hope’s public support of the Vietnam War, his friendship with alpha Republicans and his post-Vietnam return to his well-earned status as an American institution.

In this rich and entertaining work, Zoglin pulls no punches but also remains an astonished admirer.

Pub Date: Nov. 4, 2014

ISBN: 978-1-4391-4027-7

Page Count: 576

Publisher: Simon & Schuster

Review Posted Online: Aug. 26, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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