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ALL OVER BUT THE SHOUTIN'

A celebrated Pulitzer Prizewinning New York Times reporter turns his investigative attention to his own past: growing up poor and making his way from rural Alabama to the top of his profession. Bragg, who was born in 1959, is poetic and convincing on his family's poverty and how it chipped away at their dreams ``to the point that the hopelessness show[ed] through.'' His father, violent and an alcoholic, figures here, as do his siblings, but this is above all a son's story of love and respect for a mother who picked cotton, cleaned houses, and took in washing and ironing, determined to secure for her children the chance at a successful life that poverty had denied her. Bragg explores the ambivalence he felt about leaving home and his growing awareness that such choices will allow him to achieve at a level he's scarcely imagined. His labors lead eventually to a job at the St. Petersburg (Fla.) Times, and then to Harvard in 1992, when he receives a Nieman Fellowship that allows him to make up in reading and coursework some of what he'd missed by having left college early. Bragg won his Pulitzer in 1996 for his human interest stories, profiles of such figures as a courageous bodega owner, defying robbers, and of the 87-year-old Mississippi washerwoman who donated her life savings to a university. He realizes a long-cherished plan when he has enough money to buy a home for his mother. Says Bragg, ``you do the best you can for the people . . . you love with all the strength in your body, once you finally figure out that they are who you are, and, in many ways, all there is.'' Bragg, who now lives in Atlanta, has a strong voice and a sweeping style that, like his approach to newspaper writing, is rich, empathetic, and compelling. His memoir is a model of humility combined with pride in one's accomplishments.

Pub Date: Sept. 17, 1997

ISBN: 0-679-44258-8

Page Count: 352

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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