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THE BEST COOK IN THE WORLD

TALES FROM MY MOMMA'S TABLE

Affectionate, funny, and beautifully written: a book for every fan of real food.

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Heartfelt, often hilarious stories from an Alabama kitchen, a place from which issue wondrous remembrances and wondrous foods alike.

Pulitzer Prize–winning writer Bragg (My Southern Journey: True Stories from the Heart of the South, 2015, etc.) matches the tales he assembled about his father in The Prince of Frogtown (2008) with an equally rough-and-tumble collection of folk wisdom served up courtesy of his mother, who “cooked for people she’d have just as soon poisoned, and for the loves of her life.” There’s an aching nostalgia throughout, not just for years gone, but also for a way of life that seems to have faded away, a Southernism of which “our food may be the best part left.” It’s a food that African-Americans call “soul food” because it transcends bodily pain and torment and, Bragg writes, offers “a richness for a people without riches.” Over the course of this long narrative, the author’s mother turns over the stage to other relatives, and webs of stories are spun, to say nothing of well-observed notes on old-fashioned Southern foodways: raccoon is stinky, snapping turtle is sometimes eaten, “but that, too, is complicated,” and tomatoes are to be cherished if you can find one that tastes like a tomato, to say nothing of a chicken that tastes like a chicken. Bragg’s mother is a worthy guide throughout, unyielding in her judgment: “Use brown eggs when you can get ’em,” she warns. “They’re more like real eggs.” In this inauthentic world, there’s nothing like some comfort food: greens, grits with just a little hint of cheese, fried chicken, and black-eyed peas—not to mention ham and redeye gravy (“smoked ham steaks can be used as a shortcut, if you are a Philistine”), government cheese, fried bologna sandwiches, and fried okra (not battered, since it “defeats the purpose of fresh food”).

Affectionate, funny, and beautifully written: a book for every fan of real food.

Pub Date: April 24, 2018

ISBN: 978-1-4000-4041-4

Page Count: 512

Publisher: Knopf

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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