Fats perches with rightful ease atop his pedestal.
One of rock-’n’-roll’s founding fathers gets full and loving treatment in this biography from music journalist Coleman.
In the 1950s and ’60s, Antoine “Fats” Domino helped usher in rock-’n’-roll with galvanizing numbers like “Ain’t that a Shame,” “Blueberry Hill,” “Going Home” and “Lawdy Miss Clawdy.” Along with such contemporaries as Bo Diddley and Chuck Berry (the author also credits the influence of Joe Turner, Roy Brown and Louis Jordan), Domino brought the big beat to recognition, adding the distinctively swinging sound of his native New Orleans. Take that beat, touch it with “the heartache of the blues and the hope of gospel,” infuse it with lyrics that celebrate a passion for life, and you’ve got a sound that proved to be “ground zero for integration,” writes Coleman. He fully explores rock’s African-American roots, particularly rhythm and blues, call and response, piano triplets and the offbeats that Domino loved. Well before the British Invasion reintroduced African-American music to white American audiences, Domino had been the harbinger: he crashed a host of mainstream venues (Steve Allen, Ed Sullivan and Dick Clark, for starters) and played everywhere from the Apollo to all-white clubs. He was proud that his subversive, sensual music caused riots. Coleman covers all the gigs, all the dazzling band members and all their various travails with booze, egos, drugs and gambling. Domino and his cohorts were epic figures, but they were human, enthusiastic participants in the pleasures their music celebrated. The biography ends on a lovely last, lingering note: Domino survived Katrina and the destruction of his beloved Ninth Ward; he now lives across the Mississippi River from New Orleans, quietly with family and piano.
Fats perches with rightful ease atop his pedestal.Pub Date: May 30, 2006
ISBN: 0-306-81491-9
Page Count: 384
Publisher: Da Capo
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
