A lyrical, outstanding modern reshaping of the ancient Homeric epic.
A retelling of Homer’s Iliad from the point of view of Paris, seducer of Helen.
Homer’s millennia-old story about the abduction of Helen from Sparta and the resulting 10-year Greek siege of Troy is given a fresh retelling in Garnett’s fiction debut, this time centering on the character of handsome, exiled Trojan prince Paris, a simple woodsman who one day encounters a miraculous vision: three goddesses, each of whom offers him a prize. He can choose to have wisdom, power or the most beautiful woman in the world, Helen of Sparta, wife of King Menelaus. Paris picks Helen, re-introduces himself to his royal family at Troy, sets out for Menelaus’ palace, and there finds Helen every bit as bewitching as her reputation foretold (“Words to describe her make no sense unless you see her, in which case no words are needed”). She’s also unhappy and willingly goes with Paris back to Troy. The Greeks soon follow. Readers familiar with Homer’s Iliad will know what happens next: coastal raids, battles and 10 years of conflict, during which, as Helen bitterly points out, the Trojans turn from welcoming to blaming her. They also blame Paris, who’s constantly upbraided for his blithe, carefree nature in the midst of war (as Hector puts it, “Who can blame them if they cannot endure the sight of you, so calm and cheerful in the presence of their pain?”). Garnett treats all this familiar subject matter with vivid, gripping freshness. He largely demythologizes the story (apart from Paris’ initial fever-dream of goddesses, Homer’s host of interfering immortals is absent from the book) and, instead, fills it with acute, dramatically convincing psychology. He narrates events from Paris’ point of view, and although the young prince is always feckless and self-absorbed, the reader somehow never hates him—and the book’s other characters are equally and refreshingly complex. Fans of Sarah Franklin’s Daughter of Troy and Marian Zimmer Bradley’s The Firebrand will find this an outstanding addition to the ranks of Trojan War novels.
A lyrical, outstanding modern reshaping of the ancient Homeric epic.Pub Date: July 1, 2013
ISBN: N/A
Page Count: 106
Publisher: BookBaby
Review Posted Online: Oct. 15, 2013
Kirkus Reviews Issue: Nov. 15, 2013
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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