The sequel to last year’s The Driftless Zone carries on in the same neo-noir vein, as Harsch mixes old villains and flawed heroes with new in a tale of a city so corrupt that the only homes for the good guys are places most people would think of as uninhabitable. Take Gerard, for example: He lives quietly in the maintenance closet of a La Crosse, Wisconsin, office building, where he practices his viola after hours—until a foray into a nearby bar exposes him to the crooked cop whose wife he’s known too well. He flees with his barmate, Lola, who—d been giving the cop special oral treats after he framed her in a coke deal, to the surveillance van of Billy VeritÇ, feckless private eye and the ugliest man around—who’s also not one of the cops— favorite people. Billy stows Lola away while Gerard makes plans, but the plot thickens when an evil genius, Skunk, with an infallible eye for diagnosing the medical conditions of others, arrives to take over a motorcycle gang running the city’s drugs. Discovering that his office has been bugged by Billy, and that Gerard saw him abducting an FBI agent who then vanished, Skunk wants them both. But Gerard has taken his friends to an uninhabited island in the Mississippi for safety, leaving them with supplies and a promise to return weekly. Gerard’s good deeds, which include kidnaping the cop’s crooked partner, prove no match for Skunk’s powers, and when he fails to make the rendezvous with Billy and Lola, Billy knows they must prepare for the worst. The showdown comes as a tribute to Billy’s ingenuity and as a revelation to all. But Skunk is still the man in charge. Thanks to Harsch’s sophisticated style, the smoky flavor of noir and its parodic doppelgÑnger strike an apt balance here: the result is impressive, as complex and redolent as fine old wine.
Pub Date: Sept. 4, 1998
ISBN: 1-883642-92-2
Page Count: 263
Publisher: Steerforth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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