An intelligent, lively thriller.
Hobbs’ (Entangled Realms, 2013) follow-up novel explores the life of a girl with a genius intellect and other remarkable gifts that some would kill to attain.
As two young, single members of a small scientific research team in Antarctica, Susan Macaulay and Nate Stewart quickly form a romantic relationship. After the project ends and they return to their respective lives, Susan is stunned to learn that she’s pregnant. Any doubts or fears she has, however, quickly dissolve at Nate’s elated reaction to the news. When their daughter Fiona is born, Susan and Nate experience fears and doubts of a different kind. Fiona’s internal organs are slightly misplaced, and she has stunningly green eyes. Not only that, but her intelligence develops at an unprecedented rate. Could it have something to do with that mysterious—and classified—green sphere they discovered in the Antarctic? Fiona is, in all other respects, perfectly healthy, so the family tries to pursue a normal life. But people keep interfering: all family members, including Fiona’s dog, must submit to frequent medical tests. More than that, they discover that a trusted friend and adviser has been secretly monitoring and reporting on them to a powerful, clandestine agency called the Channel. With help, the family escapes into hiding. But their safety and anonymity are fleeting, and eventually Fiona must separate from her parents and trust strangers to help her evade the Channel and another, even more sinister group called the Others. From the opening scenes of a terrifying plane landing, Hobbs keeps readers on their toes with thrills and breakneck pacing. But it’s not just a fun ride; he provides technical information about myriad topics including aviation, meditation, ice crevasse rescues, espionage, and quantum mechanics. Fortunately, only a few things pull readers out of the story. For example, the dialogue, though naturalistic, is largely rational and controlled, which may leave some readers wishing more emotional outbursts or personality quirks were thrown in to punctuate the tense atmosphere. Also, some terms, such as percipience and eidetic, are used with notable frequency. These minor issues aside, Hobbs provides readers with a gripping, technologically compelling read that should earn him appreciative fans.
An intelligent, lively thriller.Pub Date: March 3, 2015
ISBN: 978-1496971647
Page Count: 340
Publisher: AuthorHouse
Review Posted Online: April 16, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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