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THE BOYS ACROSS THE STREET

Name: THE BOYS ACROSS THE STREET
Author: Rick Sandford
ISBN: 0-571-19960-7

by Rick Sandford ‧ RELEASE DATE: Feb. 1, 2000

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A strange, pointless, highly offensive debut novel about a homosexual porn star who fantasizes about seducing the boys who study at the yeshiva across the street from him. Narrator Rick lives alone in a somewhat tumbledown section of Los Angeles. Once a successful actor in the Valley Boy demimonde of gay pornography, he is now reduced to occasional work as an extra in Hollywood. He spends most of his days reading Isherwood, Emerson, or Joyce and has vague ideas about trying his own hand at writing —a blasphemous, homoerotic gospel in the style of the 1611 King James Version of the Bible,— yet there’s a big distraction nearby: a boys— school for Hasidic Jews. Rick is fascinated not only by their youth, obviously, but also by his awareness that they consider him—as both a gentile and a homosexual—a lost soul. He becomes friendly with a few of them, gives them pornography, offers them blow jobs, and even begins to wear Hasidic garb. This quite understandably angers them; they insult him to his face and shoot him in the neck with a BB gun when his back is turned. Rick is a case study in personality disorder: An atheist, he detests Judaism as a murderous superstition, although he finds himself more and more strongly drawn to it as a means of possessing the schoolboys he is more and more obsessed with every day: —I wanted to hold Avi in my arms, and I wanted him to tell me he loved me, and I wanted him to come in my mouth, and I wanted him to see his God—in me.— Eventually his desire is consummated not in reality but in the manuscript of a novel he writes about —the boys across the street.— There is an ugly subgenre of gay fiction that appeals mainly to pedophiles, and Sandford’s work—prurient, vulgar, misogynistic, blasphemous, tasteless, pompous, and subliterate—falls deep within its bowels.

Pub Date: Feb. 1, 2000

ISBN: 0-571-19960-7

Page Count: 256

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1999

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).