by Rick Stanton with Karen Dealy ‧ RELEASE DATE: Jan. 4, 2022
A fun adventure story marred by flawed storytelling.
A British cave diver reflects on his career and his participation in a well-known death-defying rescue mission.
When Stanton, who was admittedly apathetic as a youth, watched his first cave-diving documentary at 17, he knew he had found his purpose. He arrived at college the following year and immediately joined both the caving and diving clubs. His love of underground exploration consumed him enough that he dropped out of school and became a firefighter to support his spelunking habit. For the next 38 years, his adventures took him to Britain, Western Europe, and Mexico, where he helped map out underground terrain, boldly experimented with caving equipment, and, on occasion, assisted in the recovery of bodies. Then, in the summer of 2018, a friend told him about a group of teenage Thai football players who had become stranded inside a cave after monsoon rains blocked the exit. Stanton flew to Thailand to assist in the removal of what he believed would be their remains from the cave. Even after he discovered the boys were all alive, he confronted obstacles at every turn: on-again, off-again rains that threatened to flood the caves even more; clumsy and dangerous rescue attempts by unskilled Navy SEALS; and a lack of proper equipment to save the boys. Using an unorthodox recovery method, Stanton led a successful rescue mission that earned him worldwide acclaim. The tale of the author’s exploits is undeniably exciting, but the text, co-written by Dealy, is weighed down by pedestrian details that slow the narrative pace. This problem is further exacerbated by the way he braids chapters pertaining to the rescue with those pertaining to highlights from his long career in cave diving. The result is an excessively detailed book most likely to appeal only to those who share Stanton’s subterranean passions.
A fun adventure story marred by flawed storytelling.Pub Date: Jan. 4, 2022
ISBN: 978-1-64313-919-7
Page Count: 448
Publisher: Pegasus
Review Posted Online: Oct. 15, 2021
Kirkus Reviews Issue: Nov. 15, 2021
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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