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THE DOWNWARD SPIRAL

From the Lock and Key series , Vol. 2

Mystery, romance, and teen angst—the game is definitely afoot.

Twelve-year-old Moria Moriarty chronicles the continuing teenage adventures of the famous archenemies Sherlock Holmes and James Moriarty.

Still reeling from the mysterious death of their father, Moria and James scour their Boston home for clues. But it is a bit of cleverly worked geometry on the part of Sherlock that reveals a hidden room that offers more puzzles than it solves. Back at boarding school, James finds himself increasingly involved in a secret criminal organization and agrees to prey upon the romantic aspirations of a fellow classmate for leverage. Sherlock, ever the bloodhound, seeks to solve the various cases swirling around the secretive Moriarty family. But his discoveries make it increasingly difficult to know whom and what to trust. As James becomes more withdrawn, Moria partners with the intelligent and conceited Sherlock. This is an origin story that is rich in teen angst, romance, and intrigue. Unfortunately, mysteries range from the far too simple (references to Poe’s writing) to the intriguing (using a pencil to escape from a locked room). The meandering story will keep the attention of stalwart Sherlock fans, but it is the budding relationship between Moria and Sherlock that steals the story. The central characters are all white.

Mystery, romance, and teen angst—the game is definitely afoot. (Mystery. 9-12)

Pub Date: Oct. 10, 2017

ISBN: 978-0-06-239904-5

Page Count: 432

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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AS BRAVE AS YOU

This pitch-perfect contemporary novel gently explores the past’s repercussions on the present.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2016


  • Kirkus Prize
  • Kirkus Prize
    winner


  • Schneider Family Book Award Winner

Eleven-year-old Brooklynite Genie has “worry issues,” so when he and his older brother, Ernie, are sent to Virginia to spend a month with their estranged grandparents while their parents “try to figure it all out,” he goes into overdrive.

First, he discovers that Grandpop is blind. Next, there’s no Internet, so the questions he keeps track of in his notebook (over 400 so far) will have to go un-Googled. Then, he breaks the model truck that’s one of the only things Grandma still has of his deceased uncle. Andhe and Ernie will have to do chores, like picking peas and scooping dog poop. What’s behind the “nunya bidnessdoor”? And is that a gunsticking out from Grandpop’s waistband? Reynolds’ middle-grade debut meanders like the best kind of summer vacation but never loses sense of its throughline. The richly voiced third-person narrative, tightly focused through Genie’s point of view, introduces both brothers and readers to this rural African-American community and allows them to relax and explore even as it delves into the many mysteries that so bedevil Genie, ranging from "Grits? What exactly are they?" to, heartbreakingly, “Why am I so stupid?” Reynolds gives his readers uncommonly well-developed, complex characters, especially the completely believable Genie and Grandpop, whose stubborn self-sufficiency belies his vulnerability and whose flawed love both Genie and readers will cherish.

This pitch-perfect contemporary novel gently explores the past’s repercussions on the present. (Fiction. 9-12)

Pub Date: May 3, 2016

ISBN: 978-1-4814-1590-3

Page Count: 432

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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THE YEAR I FLEW AWAY

Pratchett-like worldbuilding centers immigrant kids in a story filled with culture, humor, and heart.

At home in Haiti, 10-year-old Gabrielle Marie Jean loves the rain, scary stories, beating the boys in mango-eating contests, and her family, most of all.

When her parents’ paperwork issues mean she must immigrate to the United States alone, every heavenly thing she believes about America can’t outweigh the sense of dread she feels in leaving everything she knows behind. A preternaturally sensitive child, Gabrielle feels responsible for not only her own success, but her whole family’s, so the stakes of moving in with her uncle, aunt, and cousins in Brooklyn are high—even before Lady Lydia, a witch, tries to steal her essence. Lydia makes her an offer she can’t refuse: achieving assimilation. Arnold skillfully fuses distinct immigrant experiences with the supernatural to express a universally felt desire for belonging. Gabrielle desperately wants to fit in despite the xenophobia she experiences every day and despite making new, accepting friends in Mexican American Carmen and Rocky the talking rat-rabbit. But in trying to change herself, Gabrielle risks giving Lydia the power to conquer Brooklyn. Gabrielle is a charming narrator, and of course, good guy (girl) magic wins out in the end, but the threat to immigrant lives and identities is presented poignantly nonetheless in this richly imaginative origin story of one Haitian American girl that offers a fantastical take on immigrant narratives.

Pratchett-like worldbuilding centers immigrant kids in a story filled with culture, humor, and heart. (Fiction. 9-12)

Pub Date: Feb. 2, 2021

ISBN: 978-0-358-27275-5

Page Count: 256

Publisher: Versify/HMH

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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