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WHAT DROWNS THE FLOWERS IN YOUR MOUTH

A MEMOIR OF BROTHERHOOD

A raw, emotionally intense memoir.

A poet and American Book Award–winning memoirist tells the story of his troubled family and the sustaining relationship he shared with his brother.

González (English/Rutgers Univ., Newark; Pivotal Voices, Era of Transition: Toward a 21st Century Poetics, 2017, etc.) and his family left Mexico for the Coachella Valley when he and his younger brother, Alex, were still children. But the better life they sought across the border in the United States did not materialize. Crammed into a tiny house, 19 family members attempted to make the best of difficult circumstances that included hunger, poverty, and abuse at the hands of a cruel and controlling grandfather. By the time González reached adolescence, he and Alex faced other traumas: the death of their beloved mother and desertion by their father, who relocated back to Mexico without them. The losses impacted each brother deeply: the author “withdrew into a depression that [his] family members called shyness,” and Alex began to spend time with high school dropouts who did little else but smoke and drink. At the same time, loss helped forge the fierce bond that helped both survive loneliness and hardship. Their paths diverged when González became the first member of his family to go to college while Alex returned to Mexico to live with their father. But even as the author immersed himself in his work, his emerging gay identity, and a career as a writer and teacher in New York City, he still maintained a close connection to his brother. That bond became their salvation when each brother faced midlife challenges rooted in the early experiences that had stripped them of parental love and positive role models. For González, those challenges involved alcoholism and unconsciously seeking out abusive relationships; for his brother, they involved coming to terms with what it meant to be a good husband and father. Generous and intimate, González’s memoir offers a riveting account of the bond that saved two brothers from their tortured past while offering lucid glimpses into the meaning of Latino manhood.

A raw, emotionally intense memoir.

Pub Date: March 13, 2018

ISBN: 978-0-299-31690-7

Page Count: 208

Publisher: Univ. of Wisconsin

Review Posted Online: Jan. 7, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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