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WHAT DROWNS THE FLOWERS IN YOUR MOUTH

A MEMOIR OF BROTHERHOOD

A raw, emotionally intense memoir.

A poet and American Book Award–winning memoirist tells the story of his troubled family and the sustaining relationship he shared with his brother.

González (English/Rutgers Univ., Newark; Pivotal Voices, Era of Transition: Toward a 21st Century Poetics, 2017, etc.) and his family left Mexico for the Coachella Valley when he and his younger brother, Alex, were still children. But the better life they sought across the border in the United States did not materialize. Crammed into a tiny house, 19 family members attempted to make the best of difficult circumstances that included hunger, poverty, and abuse at the hands of a cruel and controlling grandfather. By the time González reached adolescence, he and Alex faced other traumas: the death of their beloved mother and desertion by their father, who relocated back to Mexico without them. The losses impacted each brother deeply: the author “withdrew into a depression that [his] family members called shyness,” and Alex began to spend time with high school dropouts who did little else but smoke and drink. At the same time, loss helped forge the fierce bond that helped both survive loneliness and hardship. Their paths diverged when González became the first member of his family to go to college while Alex returned to Mexico to live with their father. But even as the author immersed himself in his work, his emerging gay identity, and a career as a writer and teacher in New York City, he still maintained a close connection to his brother. That bond became their salvation when each brother faced midlife challenges rooted in the early experiences that had stripped them of parental love and positive role models. For González, those challenges involved alcoholism and unconsciously seeking out abusive relationships; for his brother, they involved coming to terms with what it meant to be a good husband and father. Generous and intimate, González’s memoir offers a riveting account of the bond that saved two brothers from their tortured past while offering lucid glimpses into the meaning of Latino manhood.

A raw, emotionally intense memoir.

Pub Date: March 13, 2018

ISBN: 978-0-299-31690-7

Page Count: 208

Publisher: Univ. of Wisconsin

Review Posted Online: Jan. 7, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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