The book aptly conveys the appeal of opera while acknowledging the importance of life beyond the stage.
Turofsky’s memoir recounts her journey toward—and away from—a career as a renowned opera singer.
The author, a retired singer, broadcaster, and, most recently, blogger, presents a charming memoir of a nice Jewish girl from Toronto who ended up back there later in life, having enjoyed a notable performing career in opera, oratorio, and classical song along the way. Turofsky’s somewhat unlikely journey began with a first marriage in her early 20s, which took her to Whitehorse, capital of Canada’s Yukon Territory, and gave her a first taste of singing onstage—as a pregnant Snow White. Later, as a divorced single mother of a young daughter, the author studied with the British Columbia Opera Ensemble and, after some successful auditions, broke into the world of opera (“‘Tell us about your training,’ the fair-haired one said. What training?I thought”). In the 1960s and 1970s, Turofsky pursued an impressive career that took her across North America and on to Europe. She achieved a measure of fame, did some crossover performances on TV, and eventually went into broadcasting, working for the Canadian Broadcasting Corporation both in front of and behind the camera. Her personal life was more tumultuous, marked by two more marriages and the sudden death of her daughter. Throughout the narrative, the author gives readers a good sense of the “why” of opera (including its enduring appeal) for performers and fans alike. She portrays opera as something of a world unto itself, though curiously she doesn’t say much about “divas,” either those she encountered or whether she was seen as one. Turofsky does not fully address her decision to leave opera beyond the sense of having come full circle after moving to Vancouver to be with her third husband. Still, this is an engaging story of a performer operating in a rarified sphere.
The book aptly conveys the appeal of opera while acknowledging the importance of life beyond the stage.Pub Date: N/A
ISBN: N/A
Page Count: 137
Publisher: manuscript
Review Posted Online: Nov. 10, 2023
Review Program: Kirkus Indie
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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