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MOST AMERICAN

NOTES FROM A WOUNDED PLACE

An eloquently thoughtful memoir in essays.

A respected novelist muses on the tortured nature of her relationship to the state where she was born and raised.

Askew (Creative Writing/Univ. of Oklahoma; Kind of Kin, 2013, etc.) often thought of Oklahoma as “a black hole…a literal and figurative no-man’s land” that she escaped by going to New York and teaching. But as she grew older, the author found that her greatest wish was to go home. In this collection of nine essays, Askew considers her life in relation to the question of what it means to be Oklahoman and American. For most, to be an Oklahoman means to come from a vaguely anonymous place located “somewhere in the middle of the country.” Yet for Askew, Oklahoma is more like “the underbelly, the very gut of the nation” that Americans would prefer to forget. It has been the site of many historic tragedies, including the 1838 Cherokee Trail of Tears, the 1921 Tulsa race riots, and the 1995 Oklahoma City bombing, which happened not long after Askew began feeling the pull to return. Realizing that her background kept racism and other dark secrets at bay, the author speaks frankly about growing up with “all the privileges and presumptions of whiteness.” At the same time, she discusses the ways in which her adult experiences, both in New York and Oklahoma, forced her to face what her upbringing had left unspoken. In “Passing,” for example, Askew addresses the question of a “nebulous heritage” that may have erased her Cherokee ancestry, while in “A Wounded Place,” she discusses how she learned about being black and male after becoming the godmother of a black boy. Honest and searching, Askew’s book deftly interweaves a personal narrative about belonging with a larger cultural one. The author also offers hope that “the worst sins” of who we are as Americans can be balanced by “the best of what’s worst and best in us.”

An eloquently thoughtful memoir in essays.

Pub Date: June 1, 2017

ISBN: 978-0-8061-5717-7

Page Count: 184

Publisher: Univ. of Oklahoma

Review Posted Online: March 27, 2017

Kirkus Reviews Issue: April 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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