An arresting account of Black ambition and endurance from an important new voice in narrative nonfiction.
A unique synthesis of memoir and a history of the 1921 Tulsa Race Massacre.
Tulsa native Young, a FOX Sports analyst, offers an ambitious, forceful continuance of his debut memoir, Let It Bang, focused on his development as a consciously Black writer while dogged by the massacre’s uneasy centennial. The author opens with the horrific flashpoint, in which an ambiguous encounter between a Black boy and a White girl spiraled into an attempted lynching followed by the coordinated destruction of the Greenwood district, the so-called Black Wall Street, by the National Guard and White citizens. Decades of denial suggested premeditation motivated by envy over the accomplishments of the Greenwood community. “White folks decided they’d had enough of the luminous district many saw as a leprosy,” writes Young, “and they aimed to kill it.” In addition to recounting the history, Young interweaves a jaundiced, potent examination of his own upbringing. He rebelled gradually against his conservative churchgoing parents as he endured a casually menacing racism that reflected the legacy of the massacre. Yet while enduring poverty, depression, and a failed marriage in his 20s, he found improbable salvation in Oklahoma’s athletic tradition, breaking through as a sportswriter and radio personality. In the final chapters, Young highlights his emotional disbelief over the tone-deaf centennial celebration. “No one outside of this place much cares what happens to it,” he writes, “only what had once happened to it when white Tulsans murdered Black Tulsans.” The author also reflects thoughtfully on thorny subtopics ranging from interracial relationships to Donald Trump’s grotesque return to the rally stage, in Tulsa, at the height of the pandemic. The swerve toward the personal is occasionally jarring, but the author’s prose is consistently acute and his societal analysis, astute. “To be a Black American,” he writes, “is to want some of what white folks have and to hate yourself for wanting it all at once.”
An arresting account of Black ambition and endurance from an important new voice in narrative nonfiction.Pub Date: Nov. 1, 2022
ISBN: 978-1-64009-502-1
Page Count: 336
Publisher: Counterpoint
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
BOOK REVIEW
PERSPECTIVES
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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