by RJ Young ‧ RELEASE DATE: Oct. 23, 2018
Race and guns make an explosive combination.
Young chronicles his attempts to bond with his white father-in-law by embracing the gun culture that he previously held at arm’s length.
Toward the end of this short memoir about marriage, guns, and race in America, the author writes, “gun culture in America is inherently racist because white people historically fear black men with guns.” He builds a convincing case that the NRA has become predominantly concerned with protecting the Second Amendment rights of white people to protect their property against the black intruders they most fear. He also notes how an increasing number of black people, particularly black women, are arming themselves, feeling like if they don’t protect themselves, who will? “We are in a literal arms race,” he writes, “ramped up by the racialized fear peddled to us by damn near every institutionalized force in the land.” Amid his reportage, his personal story—about his mixed marriage and how it played out in conservative Oklahoma, where he always felt like a minority—doesn’t hold together quite as well. He first noticed his wife-to-be as a privileged white girl at a graduation party where he was the lone black guest. He always thought of her, at least within this book, as white first and was conscious of himself as black first. But they got together and stayed together, at least until the Donald Trump victory, “when my country chose to show its true face, as bigotry stood at the doorstep and opened the door wide,” and as he impulsively shouted, “I hate white people!” His wife, naturally enough, took offense, but rather than proceeding into a discussion of race and complex emotions, it led to the end of the marriage. Before then, however, he had committed himself to becoming a better shot than his marksman father-in-law and an instructor certified by the NRA.
Race and guns make an explosive combination.Pub Date: Oct. 23, 2018
ISBN: 978-1-328-82633-6
Page Count: 192
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by RJ Young
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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