An arresting account of Black ambition and endurance from an important new voice in narrative nonfiction.
A unique synthesis of memoir and a history of the 1921 Tulsa Race Massacre.
Tulsa native Young, a FOX Sports analyst, offers an ambitious, forceful continuance of his debut memoir, Let It Bang, focused on his development as a consciously Black writer while dogged by the massacre’s uneasy centennial. The author opens with the horrific flashpoint, in which an ambiguous encounter between a Black boy and a White girl spiraled into an attempted lynching followed by the coordinated destruction of the Greenwood district, the so-called Black Wall Street, by the National Guard and White citizens. Decades of denial suggested premeditation motivated by envy over the accomplishments of the Greenwood community. “White folks decided they’d had enough of the luminous district many saw as a leprosy,” writes Young, “and they aimed to kill it.” In addition to recounting the history, Young interweaves a jaundiced, potent examination of his own upbringing. He rebelled gradually against his conservative churchgoing parents as he endured a casually menacing racism that reflected the legacy of the massacre. Yet while enduring poverty, depression, and a failed marriage in his 20s, he found improbable salvation in Oklahoma’s athletic tradition, breaking through as a sportswriter and radio personality. In the final chapters, Young highlights his emotional disbelief over the tone-deaf centennial celebration. “No one outside of this place much cares what happens to it,” he writes, “only what had once happened to it when white Tulsans murdered Black Tulsans.” The author also reflects thoughtfully on thorny subtopics ranging from interracial relationships to Donald Trump’s grotesque return to the rally stage, in Tulsa, at the height of the pandemic. The swerve toward the personal is occasionally jarring, but the author’s prose is consistently acute and his societal analysis, astute. “To be a Black American,” he writes, “is to want some of what white folks have and to hate yourself for wanting it all at once.”
An arresting account of Black ambition and endurance from an important new voice in narrative nonfiction.Pub Date: Nov. 1, 2022
ISBN: 978-1-64009-502-1
Page Count: 336
Publisher: Counterpoint
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
BOOK REVIEW
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
