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WELCOME BACK TO THE WORLD

A NOVELLA & STORIES

An impressive set of stories from a skilled observer of the human animal.

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Men and women struggle to find the good in the bad in Davidson’s fiction collection.

Life can get serious fast. In the first story in Davidson’s newest collection, a man grapples with his ex-wife’s early-onset Alzheimer’s. His daughter wants him to let the woman move in with him, something he is loath to do—but when his ex-wife is found beaten and possibly raped in a city park, the stakes become significantly higher. In another story, a college campus budget analyst gets into an argument with a foreign photographer taking pictures of him on campus. The man turns out to be a visiting artist, and he wants to make the analyst the subject of his next project. The photographer compares himself to Kafka: “He was the poet of the bureaucracy. What he did in his fiction, I try to do with my lens. That is why I came to America.” A third tale follows a boy on a fishing trip with his father attempting to reciprocate the patriarch’s gruff efforts at bonding, stymied by a roiling resentment he feels about his parents’ recent divorce. Across six stories and one novella, Davidson follows characters learning to live in a world not as they want it to be, but as it is. Nowhere is this tension as apparent as in the title novella, in which a Buddhist monk quits his monastery after seven years and moves in with his surf bum brother. “You’re stepping back into the material world—lust, lies, and corruption!” the brother encourages him. “Only one way to do it. Jump in with both feet!” As the former monk grapples with the crises that led him into—and then away from—the monastery, he gleans an entirely different sort of wisdom from his far-from-enlightened brother. Davidson’s prose is by turns clever and soulful, capturing his characters at their most curmudgeonly before dragging them, often against their will, toward greater vulnerability. Though the novella is the strongest entry, there’s not a bad one here.

An impressive set of stories from a skilled observer of the human animal.

Pub Date: Nov. 12, 2024

ISBN: 9781960329486

Page Count: 244

Publisher: Cornerstone Press

Review Posted Online: March 27, 2025

Kirkus Reviews Issue: May 15, 2025

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  • New York Times Bestseller

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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  • New York Times Bestseller

A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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