by Rob Davidson ‧ RELEASE DATE: July 27, 2018
A pair of tales that will entertain, transport, and move readers.
Two novellas introduce two protagonists yielding to long-stymied grief.
In Shoplifting, a writer named Monica Evans assumes the role of stay-at-home mother to a toddler in the sticks of Northern California. The angst of this identity shift moves Monica to more deeply process life events formerly consigned to “emotional shorthand”—namely her choice to drop out of an MFA program; the memoir she started writing then abruptly stopped; and the death of her sister, a prospective lawyer who was a troublemaker with a knack for shoplifting in a past life. This reflecting, as well as several rattling visitations from a specter, eventually causes Monica to resume her memoir by way of writing a piece on shoplifting. In doing so, she finds herself adopting a penchant for the habit that heals her in surprising ways. In Infidels, an adult named Jackie Rose recalls his wintry preteen years in suburban Minnesota against the backdrop of 1970s postwar anxiety. Jackie is the son of an alcoholic father who is a Vietnam veteran-turned-kitchenware-salesman. Jackie’s mother is a homemaker who—much to her husband’s chagrin—is pursuing a college education. Jackie himself is more like his mother in that he is bookish and prefers to spend time in the library reading and worrying about Russian warfare over training for the hockey and baseball tryouts his father insists he attend. Amid increasing tension between his parents, Jackie disappears into the formidable task that is leaving boyhood behind in “Me Decade” Middle America. In these enjoyable and touching stories, Davidson’s (Spectators, 2017, etc.) prose is meticulous in conjuring the precise atmospherics of time and place. His nostalgia for a bygone era in Infidels is particularly vivid (“I knew where he’d lifted that look. It was Danny Zuko in Grease. We’d seen the movie three times last summer, drooling over Olivia Newton John in those skin-tight leather pants”). The author also demonstrates impressive stylistic dynamism; his writing can be both funny and adept at rendering painful emotional intricacies. That said, Davidson doesn’t extend this care to other elements of his writing. Some side characters lack dimension. Recurring symbols make appearances that read like afterthoughts. And dialogue occasionally veers toward the trite.
A pair of tales that will entertain, transport, and move readers.Pub Date: July 27, 2018
ISBN: 978-1-944355-46-3
Page Count: 177
Publisher: Five Oaks Press
Review Posted Online: March 1, 2019
Review Program: Kirkus Indie
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by Rob Davidson
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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