The fictional characters, so vivid in The Evidence Against Her (2001), have paled as they have aged, and even the passions...

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BEING POLITE TO HITLER

The third installment of Dew’s portrait of the Scofield clan of Washburn, Ohio (The Truth of the Matter, 2005, etc.), focuses on the aging of matriarch Agnes.

When the novel opens in 1953, Agnes is in her early 50s, long widowed and living alone in the big old Scofield manse, which she can barely maintain on her teacher’s salary. Now that her three older children, Claytor, Betts and Dwight (actually her much younger brother but raised as a son), are married and raising their own families with varying success, while the youngest, Howard, is about to marry, Agnes’s maternal interest does not stretch much beyond dutiful. She receives comically awkward overtures of affection from a clueless filmmaker intent on documenting daily life in Washburn. The fact that the filmmaker is tone-deaf to the nuances of the lives he follows is the novel’s best, slightly mean joke. Agnes’s real suitor is Sam Holloway. Her son-in-law Will’s business partner, Sam is considerably younger than Agnes but proves a perfectly companionable and practical mate. More passionate, though not by much, is alcoholic Claytor’s relationship with his Southern wife Lavinia, who eschews the prevalent Midwestern decorum, a combination of restraint and etiquette that she derides in a speech that gives the novel its title. Lavinia is the only source of energy among carefully self-controlled characters in a formal narrative that mirrors too closely the very midcentury, Middle American reserve being recorded. The second half of the novel passes in quick succession through the later ’50s and ’60s and into the early ’70s, recording births, illnesses, family gatherings and small crises but no serious drama. Most interesting are historical tidbits Dew drops in, from the polio epidemic of the ’50s to Wernher von Braun’s reaction to JFK’s death to the desegregation of Little Rock’s high school.

The fictional characters, so vivid in The Evidence Against Her (2001), have paled as they have aged, and even the passions of the younger generation are too muted to engage the reader.

Pub Date: Jan. 6, 2011

ISBN: 978-0-316-88950-6

Page Count: 304

Publisher: Little, Brown

Review Posted Online: Oct. 13, 2010

Kirkus Reviews Issue: Nov. 1, 2010

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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