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THE WORST STUDENT ON EARTH!

An appealing, space-age Robin Hood/Huckleberry Finn combo.

Awards & Accolades

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In Miltenberg’s (Thank God, 2013, etc.) middle-grade SF novel, a student’s inability to follow instructions during an intergalactic “Career Day” lands him on Earth.

Ryon XYQZ-4973 is proud to be the worst student in the Rigel-Z star system. He regularly finds himself facing disciplinary action from his crabby teacher robot for various offenses, including hacking the school’s system to change his and his classmates’ grades and turning a space-bus invisible. Unsurprisingly, Ryon doesn’t follow the rules during a class trip to the Grand Central Pan Galactic Port Authority Library Museum and Gift Shop; as a result, he’s accidentally transported to Earth. He’s soon taken in by Melissa and Grant Brooks as their ninth foster child. Someone mishears his name as Ryan O’Ryan, and he doesn’t bother to correct them. Instead, he makes several unsuccessful attempts to use his “smartwear”—a full-body suit comprised of “nano-machines”—to return home, and he eventually resigns himself to staying with the Brooks family for the immediate future. He continues creating havoc, however, much to his foster siblings’ amusement—and soon, he even finds himself saving the world. He also stops trying to get home, as he’s happy to simply be “the worst student on Earth.” Miltenberg’s sense of humor makes this book a delightful read. For example, as part of an onion-themed recurring gag, the children attend “Los Miserobles Middle School, Home Of The Fierce Crying Onions,” complete with a giant onion mascot. That said, some other jokes feel crass, such as a character with the surname “Nonads.” Ryon’s humorous predicaments are often the result of good-hearted ambitions gone awry, which makes him a lovable, relatable character. Over the course of the story, Miltenberg tastefully dips into some serious topics, as well, such as immigration, and includes real-life science facts.

An appealing, space-age Robin Hood/Huckleberry Finn combo.

Pub Date: Oct. 6, 2019

ISBN: 978-1-69784-615-7

Page Count: 254

Publisher: Self

Review Posted Online: Jan. 16, 2020

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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