Dramatic, keenly observed memoir of familial entropy set against the urban “bad old days.”
The barbed tale of a writer’s beginnings, embarrassed yet fascinated by melodramatic, bohemian attorney parents.
Novelist Siegel (All Will Be Revealed, 2007, etc.) dramatizes a surreal upbringing fraught with deception. His mother pushed him toward art and culture, while his father sank into malfeasance. “We were the kind of family that ate out a lot, because home was too rancorous and depressing, and we tended to be a little nicer to each other in public,” he writes. The author’s obese, grandiose father was jailed for too-close involvement with his clients, including counterculture radicals, drug dealers, and the Hells Angels. “In this atmosphere,” he writes, “we could be the normal ones, the representatives of middle-class decency.” After prison, his father rebuilt his practice, but with reduced reputation and income. When one client gave him illicit cash with which to flee the country, he squandered it on junk food and fancy clothes. “I’m not sure why he decided to stay; it’s very possible that he was simply too broken to leave,” writes Siegel. The family’s chaotic domestic life took strange turns, including the adoption of an abused boy to whom, against the author’s expectations, his parents were devoted: “We liked seeing ourselves as the family in charge of the orphanage, full of beautiful waifs.” Still, Siegel’s father continued to neglect his health and responsibilities, and he was diagnosed with Alzheimer’s long after his behavior became erratic. Breaking away, the author became consumed with Asian culture, living in Japan while laboring over a novel about his father’s crimes, unable to find an authentic voice. Siegel displays his strengths in this memoir: lean, acute prose and sharply recalled environmental details of New York City in the 1970s and ’80s. He examines the familial ties that bind with love and exasperation, and his portrait of his family’s self-destructive contradictions is probing and memorable. The sections focused on his own intellectual growth can seem comparatively meandering and repetitive.
Dramatic, keenly observed memoir of familial entropy set against the urban “bad old days.”Pub Date: July 17, 2018
ISBN: 978-1-64009-037-8
Page Count: 256
Publisher: Counterpoint
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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