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MING

Oxnam (Cinnabar, 1990) spins a well-meaning tale that often sounds campy in its zeal to put a feminist twist on Chinese history. In 1625, Longyan—the son of a prominent man and a concubine- -proves unable to study because he sees ``jumping words'' when he looks at a page. Longyan apparently suffers from dyslexia. He befriends his opposite, a woman named Meihua, who commits the taboo act (for women) of learning by hiding behind a bookcase when a tutor comes to the house to instruct her brothers. She can therefore read and write but must tell no one, as she is more prized for her delicate bound feet than her mind. Meihua marries Longyan's brother, and the two strike up a lifelong secret correspondence (Longyan dictates his letters to others). Longyan's photographic memory permits him to rise in the ranks of the army. Back home, Meihua and some like-minded women have formed the Ladies' Filial Piety Society, really a secret consciousness-raising group for educated women, which eventually mutates into a strong female army. After the Manchu invasion, the star-crossed lovers are exiled to a mosquito-infested island together, where they find some semblance of happiness. Oxnam is president of the Asia Society, and his knowledge of Chinese history is obviously vast, although occasionally he lets fact take precedence over drama: ``So that's what a dynastic change feels like, Longyan mused, knowing that the event had not occurred for almost three hundred years.'' And sometimes, despite the fact that Oxnam tries to deflect skepticism in an introduction, the transfer of contemporary mores to 17th- century China is a grating anachronism. Still, it's more fun to read than a textbook, and almost as informative, and Oxnam keeps things moving along, even in the face of incredulity.

Pub Date: Jan. 20, 1995

ISBN: 0-312-11315-3

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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