by Robert Becker ‧ RELEASE DATE: Feb. 16, 1996
Romantic family history meets interior design and gardening in this life of Virginia-born Nancy Lancaster, who gets credit here for creating the English Country style—homey chintz in baronial spaces. Freelance writer Becker skillfully melds third-person biography and first-person memoir (based on Lancaster's writings and Becker's interviews with her) in this unusual narrative. Lancaster's life story begins in a cottage in Virginia, where she was born, and ends in a cottage in England, where she died in August 1994 at the age of 96. In between were three husbands and a life of riding, shooting, and shopping for the furniture and fixtures that would justify her reputation as an interior designer. It was Lancaster's talent to bring comfort and warmth to tired and gloomy manor rooms without damaging a sense of history and authentic detail. Born to the oldest of the famously beautiful Langhorne sisters—her aunts included Lady Astor and the wife of artist Charles Dana Gibson—Lancaster first married Henry Field (of Chicago's Marshall Field family). Widowed within five months, she next married Ronald Tree, a wealthy American who made his home in England and his reputation as a member of Parliament. It was as Mrs. Tree that Lancaster became known as a designer and hostess in a series of houses that culminated in Ditchley, the English manor where Winston Churchill spent weekends during WW II. After a divorce from Tree and a brief third marriage (to one Jubie Lancaster), she bought a decorating business, Colefax and Fowler, which became one of England's most prestigious firms. A manual of room arrangement and garden design combined with a view of a now-extinct lifestyle where newspapers were ironed for weekend guests that should capture students of design and history. (16 pages color photos, 150 b&w photos, not seen)
Pub Date: Feb. 16, 1996
ISBN: 0-394-56791-9
Page Count: 416
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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