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BRAVE CHICKEN LITTLE

A handsome, most welcome addition to the now–sadly neglected, too-little–published literature of folk and fairy tales.

Byrd retells the familiar tale of folly and trickery, adding some outsize bravery and a happy ending.

Off on an errand for his mother, Chicken Little gets bonked by an acorn. “The sky is falling! I must go and tell the king!” The misguided chick encounters an increasing stream of equally foolish, frightened animals, from Henny Penny to Roly and Poly Moley. The menagerie of 10 encounters Foxy Loxy, who, speaking in sly rhymes, diverts them. “Oh, please, please, let me come, too! I know the best way, I do! I do!…But first, my dear friends, we’ll stop for brunch, or maybe instead, a nice little lunch.” Foxy lures the group to his cottage, where his wife and seven hungry kits wait near a steaming, but not yet boiling, cauldron. When Foxy locks the hapless stew ingredients in the basement, it’s Chicken Little who figures out an escape and outfoxes the fox. Byrd’s charming ink-and-watercolor illustrations depict the animals in old-fashioned clothing with flounces, vests and cravats. Crosshatching and intricate lines define each leaf, butterfly, bee and flower against the lush, pastoral backdrop of woods and rolling hills. The parade of fleeing animals runs right past the king’s long shadow at sunset. Safely tucked under a quilt by his mother, Chicken Little’s too exhausted to utter a word about his errant bravery.

A handsome, most welcome addition to the now–sadly neglected, too-little–published literature of folk and fairy tales. (Picture book/folk tale. 4-7)

Pub Date: Aug. 7, 2014

ISBN: 978-0-670-786169

Page Count: 40

Publisher: Viking

Review Posted Online: May 27, 2014

Kirkus Reviews Issue: June 15, 2014

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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