A book worthy of the statue herself.
Lady Liberty’s arrival almost didn’t happen.
Intended as a 100th-birthday gift from France, the statue was the brainchild of a French judge who envisioned a symbol of friendship between the two nations and hired sculptor Frederic-Auguste Bartholdi to create it. After choosing its New York Harbor site, he fashioned numerous, ever larger models and chose copper for its light weight. Alexandre-Gustave Eiffel devised an “iron skeleton” to support Liberty, and then the completed statue was exhibited in Paris; parts of it had already been shown in the States. A pedestal was designed—with no funds to build it. Nonetheless, Bartholdi had the statue’s pieces shipped in crates to America nine years after the centennial. Finally, Joseph Pulitzer successfully encouraged Americans to donate; Emma Lazarus’ poem “The New Colossus” was initially written as a fundraiser. In a crowded field, Byrd’s signature narrative and artistic styles elevate this effort. Pages with type set in newspaperlike double columns feature outsized, capitalized headlines and datelines denoting years and places. Spreads include masterly ink-and-watercolor illustrations with details that invite readers to pore over artwork. The author’s awestruck writing, featuring punchy, taut sentences, makes for fast-paced reading, as do dramatic page turns, and it emphasizes the grandeur of the enterprise; fascinating, quirky facts abound. In most illustrations, persons default white.
A book worthy of the statue herself. (measurements, timeline, facts about the statue and historical figures, author’s note, bibliography) (Informational picture book. 7-11)Pub Date: June 18, 2019
ISBN: 978-0-7352-3082-8
Page Count: 40
Publisher: Dial Books
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
Playful, provocative, and packed with perspective.
Did Christopher Columbus really “discover” a new world? Did the Pilgrims invite the Wampanoag to a friendly First Thanksgiving? Is July 4 truly the nation’s birthday?
Readers familiar with traditional narratives of America’s founding are invited to interrogate those myths in this interactive exploration of early U.S. history. A strong introductory framework asks whose stories endure and whose have been erased from the history books, emphasizing that Indigenous peoples remain part of the present, not just the past. Each spread presents a common misconception, then asks readers to flip assumptions aside by lifting a partial gatefold that reveals the true story beneath. Well-sourced explanations elevate figures and communities often excluded from history books, including women, Black Americans, and Indigenous peoples. Bold colors, graphic-heavy layouts, and energetic illustrations that make creative use of historical photos and images break complex ideas into bite-size pieces that encourage browsing over linear reading. A timeline, speech bubbles, and lift-the-flap “True or False” quizzes reinforce the book’s core message: History is layered, debatable, and dynamic. Though the book’s busy, nonlinear design may prove challenging for some, on the whole it works very well as an engaging historical overview. The content assumes a foundational knowledge of early U.S. history, making it most suitable for older elementary readers, though some visual choices skew younger. Backmatter includes more historical information and background on the book’s creation.
Playful, provocative, and packed with perspective. (glossary, resources, photo credits) (Nonfiction. 9-11)Pub Date: May 26, 2026
ISBN: 9798888599082
Page Count: 40
Publisher: Barefoot Books
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
PERSPECTIVES
An enthralling historical account.
Rentetzi tells a lesser-known but inspiring story of science and politics.
In 1958, the U.S. donated two mobile labs to the International Atomic Energy Agency to demonstrate how, in the wake of World War II, nuclear power could be used for good. The vehicles visited four continents, providing global scope to the project. From the book’s first spread, which refers to the bombings of Hiroshima and Nagasaki (and includes an image of a mushroom cloud), Rentetzi’s clear, concise text, translated from Dutch, explains the hope that the labs would allow scientists to make advances in agriculture, medicine, and industry. Scientists “with or without lab coats, with or without shoes” attended training sessions and applied what they’d learned to local challenges. De Decker’s precise, powerful line-and-color artwork—a mix of vignettes and full-page spreads, some recalling classic Northern European art—depicts people, landscapes, monuments, transport vehicles, local animals, and the inside of a science lab in the late 1950s. Details from the text are artistically integrated, like a world map and the painted flags that record the countries the mobile labs visited. While the tone is overall positive, Rentetzi acknowledges the complex political undercurrents of the project, noting that the U.S. government sought to make scientists around the world dependent on American technology, thus giving the U.S. an edge over the Soviet Union.
An enthralling historical account. (more information on the mobile labs) (Informational picture book. 7-10)Pub Date: Aug. 5, 2025
ISBN: 9798890632456
Page Count: 32
Publisher: Clavis
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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