The disappointing upshot: a resounding so what?
Wrapping up the trilogy (Axis, 2007, etc.), Wilson’s extravagantly peculiar yarn involving the Hypotheticals, a sort of galactic computer program composed of nanomachines that, for reasons imponderable, moved Earth four-billion years into the future.
Now, the Earth is choking on gases produced by burning the plentiful fossil fuels found on another world, part of a Ring of Worlds connected by hyperspace gateways set up by the Hypotheticals. In Houston, psychologist Sandra Cole ponders Orrin Mather, a seemingly inoffensive young vagrant swept up by social services. Police officer Jefferson Bose takes an interest for personal reasons, later explained, and because of the manuscript that Orrin carries and which the near-illiterate man clearly didn't write. The manuscript describes a time ten thousand years in their future, wherein a hive-like community called Vox steers a continent-sized artificial island through one of the gateways towards poisoned Earth. Two individuals in particular are caught up in this odyssey: a young woman who, as part of Vox, is called Treya, but has an implanted personality, Allison Pearl, culled from ten-thousand-year-old records in order that she be able to communicate with Turk Findley, a pilot and drifter hurled from Sandra's time into the future by the Hypotheticals. The problem with Vox, as Turk will learn, is that it's a "limbic democracy" whose emotional core and compulsory guiding spirit, Coryphaeus, is insane. The problem here is that neither the bewildered characters nor inevitably frustrated readers have an agency to grapple with—humans are less than ants to the Hypotheticals, who entirely lack volition—so there's really nothing to think about; you either accept the premise or you don't.
The disappointing upshot: a resounding so what?Pub Date: July 1, 2011
ISBN: 978-0-7653-2342-2
Page Count: 368
Publisher: Tor
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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